The One I Knew the Best of All, Frances Hodgson Burnett — 1st Edition
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Publication: London, Frederick Warne and Co., 1893
Formatting: 8vo, pp. [xvi], 292.
Condition Report: Very Good. The original pictorial green cloth binding remains remarkably tight, bright, and square. The gilt, ochre, and black tooling on the spine and front board is beautifully unoxidised and vibrant, displaying very little of the shelf-wear, bumping, or rubbing that is typically seen on nineteenth-century children's volumes. Internally, the text block is sound and the hinges are secure. There is some mild, expected foxing present on the preliminary leaves and text block edges, along with general light age-toning throughout, but the pages remain entirely free from significant tears or major structural defects. A wonderfully preserved, highly presentable copy.
Catalogue Note: This is the First UK Edition of Burnett's autobiographical work, issued in a strikingly decorative green cloth binding. The text is beautifully complemented by the work of Reginald Birch, the illustrator famous for visually defining Burnett's Little Lord Fauntleroy.
While reading copies of this memoir regularly surface on the open market, finding a true first edition with such a remarkably bright and unrubbed pictorial binding is quite uncommon. It stands as a handsome addition to any serious collection of late-Victorian literature or Frances Hodgson Burnett's bibliography.
In The One I Knew the Best of All, Frances Hodgson Burnett, the beloved creator of The Secret Garden and A Little Princess, turns her exceptional storytelling prowess inward to recount the formative years of her own life. Narrated from the perspective of a highly perceptive "Small Person," the memoir charts Burnett's early childhood in a grimy, industrial English town and her subsequent immigration to the United States. Through rich, evocative prose, Burnett reveals the imaginative inner life, early literary passions, and profound personal observations that eventually shaped her into one of the era’s most celebrated authors.
Book Condition: Very Good
Book Authors: Frances Hodgson Burnett
Book Publisher: Frederick Warne and Co.
Book Language: English
Narrative Type: Antiquarian
Genre: Autobiography, Biography & Memoirs
Book edition: First Edition
Signed: No
Book Pages: 292
Book Publication Year: 1893
Book Publication Date:
Book Binding: Hardcover
Illustrator: Reginald Birch
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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