The Shape of Things: Still Life in Britain, Simon Martin
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Condition
New: A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
Description
The Shape of Things: Still Life in Britain is a richly illustrated exploration of the enduring relevance of still life in British art. Far from being a “minor” genre, still life has been a vehicle for experimentation and deep reflection on identity, society, and the human condition. This visually engaging book brings together essays and works by leading British artists from the early 20th century to today — spanning movements such as the Seven & Five Society, British Surrealism, St Ives, post‑war abstraction, pop art and contemporary practices. With a focus on how objects, everyday scenes, and compositions continue to reflect social themes like consumerism, migration, existentialism, and climate change, this book presents a lively history of modern British art through the lens of still life.
Book Condition: New
Book Authors: Simon Martin, Lydia Miller, Miriam O’Connor Perks, Melanie Vandenbrouck, Michael Bird, Emma Sharples, and Chloe Nahum
Book Publisher: Pallant House Gallery
Book Language: en
Narrative Type: Non-Fiction
Genre: Art & Architecture
Book edition:
Signed:
Book Pages: 184
Book Publication Year: 2024
Book Publication Date:
Book Binding: Paperback
Illustrator:
Book Series:
Country/region of manufacture:
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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