The Story of the Original Dixieland Jazz Band, H. O. Brunn — Jazz Book Club Ed
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Publication: London, The Jazz Book Club, 1963
Formatting: 8vo, pp. [xii], 268.
Condition Report Very Good. The binding remains remarkably tight and square, showing no signs of rolling or lean, with the text block presenting nicely and remaining free of any notable foxing or spotting. The pages are internally clean and bright, exhibiting only the gentlest, uniform age-toning to the text block edges as is standard for the paper stock of this era. The original unclipped dust jacket is wonderfully bright, retaining strong, unfaded colours on the front panel and spine without the typical sunning often seen on these club editions. It is currently housed in an older, clear cellophane protective wrapper which exhibits some crinkling and minor wear along the top edge, though it has successfully shielded the jacket underneath from significant shelf-wear or rubbing.
Catalogue Note Produced in 1963 exclusively for members of The Jazz Book Club (JBC No. 44), this edition was published by arrangement with Sidgwick and Jackson and reprinted by D. R. Hillman & Sons Ltd in Frome. The text follows the 1961 UK first edition; as charmingly noted on the copyright page, the publisher apologises that the list of illustrations on page xii was inadvertently retained from the original American edition, making this a strictly unillustrated copy.
This particular copy is elevated by the noteworthy inclusion of its original ephemeral insert: a pristine, four-page fold-out 'Jazz Column' newsletter (No. 41, October 1963). While standard reading copies of this Jazz Book Club edition are common on the open market, finding one that retains its bright, original dust jacket alongside the publisher’s monthly newsletter is decidedly uncommon and presents a highly desirable package for collectors of vintage jazz literature.
A lively and authoritative chronicle of America’s first major jazz export, The Story of the Original Dixieland Jazz Band captures the explosive beginnings of the global jazz phenomenon. H. O. Brunn meticulously charts the journey of the five pioneering young musicians from New Orleans who took Chicago and New York by storm between 1916 and 1917, ultimately laying down the first-ever jazz phonograph records. Drawing upon a wealth of contemporary reportage, personal diaries, and exclusive interviews, this engaging history explores how the band transformed a local, regional sound into a mass-market sensation, forever altering the trajectory of popular twentieth-century music.
Book Condition: Very Good
Book Authors: H. O. Brunn
Book Publisher: The Jazz Book Club
Book Language: English
Narrative Type: Non-Fiction
Genre: Music
Book edition:
Signed: No
Book Pages: 268
Book Publication Year: 1963
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: Jazz Book Club
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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