The Useful Arts and Manufactures of Great Britain. First Series, Textile Fabrics — 1st Series
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Publication: London, Society for Promoting Christian Knowledge, c. 1860
Formatting: 12mo, multiple pagings.
Condition Report: Very Good. Bound in handsome full calf, the boards remain structurally sound and well-preserved, exhibiting only minor rubbing and a few superficial scratches to the front and rear panels. The gilt-stamped crest of the Oxford Diocesan Board of Education is notably bright and unoxidised. The spine features raised bands and intricate gilt tooling which retains its sharpness, though the morocco title label is chipped with some loss. The hinges and joints are tight and secure, showing minimal shelf-wear at the extremities. Internally, the marbled endpapers and page edges retain a vibrant, unfaded pattern. The textblock is remarkably clean and bright with only very occasional, faint spotting to the preliminary leaves. Overall, a very pleasing and robust copy.
Catalogue Note: A fascinating compilation of Charles Tomlinson's treatises on the mid-nineteenth-century textile industry, initially published in separate forms and updated with contemporary statistics for this collected work. It meticulously covers the production of cotton, linen, woollen, and worsted yarns, alongside the intricate chemical and mechanical processes of bleaching, calendering, and dyeing.
This particular copy holds a distinct provenance. It was originally awarded as a prize or held as an institutional copy, denoted by the gilt armorial stamp of the Oxford Diocesan Board of Education on the front board. It was later owned by George Pryce Abel of Bwlchgwyn, near Wrexham, who inscribed his name and address on the front endpaper in 1917. Interestingly, he added the Welsh translation of his name, "Sior abel", in ink directly onto the top left corner of the front leather board.
Copies bound in full calf with such unique, layered institutional and personal history are uncommon and present an excellent addition to collections focusing on the Industrial Revolution or Welsh provenance.
Charles Tomlinson's The Useful Arts and Manufactures of Great Britain provides a comprehensive and vividly detailed snapshot of the mid-nineteenth-century British textile industry. Delving deeply into the manufacturing processes of cotton, linen, and wool—as well as the advanced chemical and mechanical techniques required for bleaching and dyeing—this work stands as a testament to the era's booming industrial prowess. It remains an essential contemporary source for anyone interested in the fabrics, factories, and innovations that clothed the Victorian world.
Book Condition: Very Good
Book Authors: Charles Tomlinson
Book Publisher: Society for Promoting Christian Knowledge
Book Language: English
Narrative Type: Antiquarian
Genre: History
Book edition: First Published
Signed: No
Book Pages:
Book Publication Year: 1860
Book Publication Date:
Book Binding: Hardcover (Full Calf Leather)
Illustrator: N/A
Book Series: The Useful Arts and Manufactures of Great Britain
Country/region of manufacture: London, Untied Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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