The Yellow Book: An Illustrated Quarterly, Volume I, Various Authors — 3rd Edition
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Publication: London, Elkin Mathews & John Lane; Boston, Copeland & Day, 1894
Formatting: Square 8vo, pp. 272.
Condition Report: Fair. The original yellow cloth boards are severely soiled and darkened, a common flaw of this notoriously easily-marked binding, with notable rubbing to the extremities, bumping to the corners, and edge wear. The spine is similarly darkened and stained, with noticeable fraying at the head and tail. Internally, the front inner hinge is deeply split with the underlying muslin broken, leaving the front board tender, causing the text block to feel somewhat shaken. The original endpapers display noticeable browning, surface marks, and localised soiling. However, the text block itself and the crucial illustrated plates remain relatively clean, unoxidised, and perfectly legible, making this a complete, albeit heavily worn, representative reading copy.
Catalogue Note: Third Edition of the inaugural volume of The Yellow Book, the vanguard periodical of the 1890s Decadent movement. Notably, this copy retains a famous typographical error on the front board, the misspelling of the month as "Aprtl". This was a notoriously uncorrected blunder originating from the first printing's binding block, which the publishers evidently reused without amendment for this subsequent edition.
Under the art direction of Aubrey Beardsley, the volume features highly influential illustrations by Beardsley himself, alongside prominent artists such as Sir Frederic Leighton, Walter Sickert, and Will Rothenstein. The literary contributions are equally formidable, boasting pieces by Henry James, Max Beerbohm, Arthur Symons, and Edmund Gosse.
The front pastedown bears a discreet blind-stamp from "W.H. Smith & Son, London," a charming piece of provenance indicating its early retail journey through one of Britain's most historic stationers. While early editions of The Yellow Book frequently appear on the open market, those retaining the "Aprtl" misprint offer a fascinating glimpse into the rushed and controversial launch of this iconic fin-de-siècle publication.
Launched in the spring of 1894, The Yellow Book was a daring and avant-garde quarterly that both shocked and captivated late-Victorian society. Bound in the scandalous colour associated with illicit French novels, it quickly became the definitive voice of the Decadent movement and Aestheticism in Britain. Eschewing the standard serialised narratives and journalistic fluff of its contemporaries, the periodical presented a bold synthesis of literature and art, demanding that its stark black-and-white plates be treated with the same reverence as its prose and poetry. Featuring an illustrious roster of contributors, from Henry James's psychological realism to Aubrey Beardsley's brilliantly grotesque line-work, this inaugural volume remains an essential artifact of 1890s literary and artistic history.
Book Condition: Fair
Book Authors: Various
Book Publisher: Elkin Mathews & John Lane
Book Language: English
Narrative Type: Antiquarian
Genre: History
Book edition: Third Edition
Signed: No
Book Pages:
Book Publication Year: 1894
Book Publication Date:
Book Binding: Hardcover
Illustrator: Aubrey Beardsley et al.
Book Series: The Yellow Book
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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