Tongues of Conscience, Robert Hichens ā 1st Edition
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Publication: London, Methuen & Co., 1900
Formatting: 8vo, pp. [viii], 368.
Condition Report: Good. Bound in the publisher's original red cloth with blind-stamped borders and gilt lettering to the spine and front board, the binding remains fundamentally sound and intact. The spine is visibly sunned, accompanied by minor rubbing and softening to the extremities. The rough-cut text block edges exhibit heavy foxing and browning, characteristic of the paper stock used during this period. Internally, the title page and preliminary leaves display scattered foxing, but the core text block remains largely clean and securely bound. The absence of major structural defects, severe shelf-slant, or significant dampstaining supports a solid Good grade.
Catalogue Note: First edition. This early work by Hichens is a collection of five supernatural and psychological stories, most notably containing the first appearance of the celebrated weird fiction classic, "How Love Came to Professor Guildea." The volume is unillustrated and presented in its original, unrestored publisher's cloth.
This true UK first edition is notably scarce on the open market. It is highly sought after by collectors of antiquarian horror and weird fiction, setting it apart from the more common later Methuen printings and the US Stokes edition.
A masterful collection of dark, psychological, and supernatural tales, Tongues of Conscience delves into the eerie borderlands between morality, guilt, and the unknown. The collection is anchored by the chilling narrative "How Love Came to Professor Guildea," in which a rigidly rational man is tormented by the unseen, suffocating affection of an invisible presence. With atmospheric prose and a forensic exploration of human frailty, Hichens crafts stories that linger long in the imagination and remain a cornerstone of early Edwardian weird fiction.
Book Condition: Good
Book Authors: Robert Hichens
Book Publisher: Methuen & Co.
Book Language: English
Narrative Type: Fiction
Genre: Horror & Ghost Stories
Book edition: First Edition
Signed: No
Book Pages: 368
Book Publication Year: 1900
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible ā nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage ā small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the bookās endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects ā loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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