Ursula K. Le Guin, Barbara J. Bucknall β 2nd Printing
In stock
Shipping is calculated at checkout.
Publication: New York, Frederick Ungar Publishing Co., 1982
Formatting: 8vo, pp. 175.
Condition Report: Very Good. The publisher's original pictorial wraps remain bright and structurally sound, exhibiting only minor shelf-wear and faint rubbing to the extremities, most notably a touch of curling at the corners. The spine is uncreased, square, and unfaded, indicating the book has likely seen little to no reading wear. The text block edges show light, age-appropriate dust-soiling and faint spotting. Internally, the volume is clean, crisp, and tightly bound, completely free of any foxing or previous ownership inscriptions, presenting as a highly attractive, well-preserved copy.
Catalogue Note: This is the 1982 second printing of the paperback edition, originally issued in 1981 as part of Frederick Ungar's 'Recognitions' series, a collection dedicated to providing critical overviews of significant contemporary authors, particularly within the detective and science fiction genres. The distinctive cover artwork, designed by Roy Kuhlman, remains a striking example of the publisher's late-twentieth-century aesthetic.
This critical study of Ursula K. Le Guin remains a sought-after secondary source for scholars and dedicated collectors of speculative fiction. Crisp paperback copies lacking heavy reading wear or creasing to the spine are becoming increasingly desirable for those looking to complete reference collections on Le Guin's expansive bibliography.
An engaging and accessible critical study of one of science fiction and fantasy's most celebrated authors, Ursula K. Le Guin. Barbara J. Bucknall delves into the thematic complexities of Le Guin's writing, exploring the profound influence of Taoist philosophy, feminism, and her anthropological background on masterpieces likeΒ The Left Hand of Darkness and the Earthsea cycle. Bucknall traces Le Guin's evolution from early genre fiction to her emergence as a literary titan who masterfully bridged the gap between speculative concepts and profound human truths.
Book Condition: Very Good
Book Authors: Barbara J. Bucknall
Book Publisher: Frederick Ungar Publishing Co.
Book Language: English
Narrative Type: Non-Fiction
Genre: Criticism & Essays
Book edition: Second Impression
Signed: No
Book Pages: 175
Book Publication Year: 1982
Book Publication Date:
Book Binding: Paperback
Illustrator: N/A
Book Series: Recognitions
Country/region of manufacture: New York, United States
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible β nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage β small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the bookβs endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects β loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
Get in touch
You may also like
Join the Broadhurst Archive
Be the first to hear about rare new arrivals, signed editions, and literary events. A century of stories delivered straight to your inbox.