Wild Flowers, John Gilmour and Max Walters — 1st Edition
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Publication: London, Collins, 1954
Formatting: 8vo, pp. 242.
Condition Report: Very Good. The binding remains firm and tightly square, housed in the original green cloth that retains a bright, unrubbed character with unoxidised gilt lettering to the spine. The corners are sharp, and the boards are free from any significant shelf-wear. Internally, the pages are generally bright and clean, showing mild age-toning and very light spotting to the text-block edges, commensurate with the paper stock of the era. The original pictorial dust wrapper presents well within a protective sleeve, though it exhibits some light edge-wear, minor rubbing to the extremities, and shallow creasing near the spine head. Mild, uniform age-toning is visible to the rear panel and inner flaps.
Catalogue Note: This is an early printing, highly likely the true first edition. of volume five in the celebrated New Naturalist Library. The dust wrapper’s rear panel advertises Mushrooms and Toadstools by John Ramsbottom, noting it as "Recently published in the Main Series," which firmly places this copy within the early years of the series' timeline.
The front free endpaper bears a neat, contemporary presentation inscription in blue ink: "To Joan from Tom with best wishes. May '55.".
While later editions of this title are relatively common, early printings that retain their original dust wrappers and bright publishers' cloth remain actively sought-after by natural history collectors.
A cornerstone volume in the esteemed New Naturalist series, Wild Flowers revolutionised the study of British botany by moving beyond static identification to explore plants within their dynamic ecological communities. Penned by two of the twentieth century’s leading botanists, John Gilmour and Max Walters, this engaging work delves into the history, biology, and habitats of native flora. From ancient woodlands and chalk downs to coastal margins and urban waste grounds, the authors offer a profound and accessible guide to ‘botanising in Britain’. It remains an essential and inspiring text for both the amateur enthusiast and the dedicated naturalist.
Book Condition: Very Good
Book Authors: John Gilmour; Max Walters
Book Publisher: Collins
Book Language: English
Narrative Type: Non-Fiction
Genre: Natural History
Book edition: First Edition
Signed: No
Book Pages: 242
Book Publication Year: 1954
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: Collins New Naturalist
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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