William Blake: A Study of His Life and Art Work, Irene Langridge — 1st Edition
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Publication: London, George Bell and Sons, 1904
Formatting: 8vo, pp. xii, 198.
Condition Report: Very Good. The volume presents exceptionally well, bound in the publisher's original dark green cloth with the striking, unoxidised Art Nouveau gilt tooling to the front board and spine remaining highly vibrant. There is some minor rubbing and light bumping to the spine ends and corners, alongside a few faint, scattered blemishes to the rear board. The binding remains firm and tight. The top edge retains its original gilt, while the untrimmed fore and lower edges show age-appropriate toning. Internally, there is moderate foxing to the endpapers and preliminaries, but the main text block and the numerous photographic plates remain largely clean and bright throughout, free from significant blemishes.
Catalogue Note: First edition. A beautifully bound, turn-of-the-century study of the visionary poet and artist William Blake. The striking Art Nouveau binding design, featuring intricate Celtic knotwork and angelic winged motifs, serves as a fitting homage to Blake's own mythological aesthetics and is a prime example of Edwardian publisher's cloth at its most elaborate.
Profusely illustrated throughout with numerous full-page photographic plates, this work reproduces many of Blake's most significant engravings and designs, including those from Blair's 'Grave'. While copies of this 1904 first edition do occasionally surface on the open market, they are rarely found with the gilt tooling in such bright, unrubbed condition.
Irene Langridge’s comprehensive 1904 study offers a detailed and passionate exploration of the life, mysticism, and artistic genius of William Blake. Written at a time when Blake’s profound influence was undergoing a major critical revival, the work serves as an essential guide to his national treasures, breaking down the complexities of his Prophetic Books and his extraordinary visual artistry for a wider audience.
Book Condition: Very Good
Book Authors: Irene Langridge
Book Publisher: George Bell and Sons
Book Language: English
Narrative Type: Non-Fiction
Genre: Art & Architecture
Book edition: First Edition
Signed: No
Book Pages: 210
Book Publication Year: 1904
Book Publication Date:
Book Binding: Hardcover
Illustrator: William Blake
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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