William Blake The Painter at Work, Joyce H. Townsend ā 1st Ed
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Publication: London, Tate Publishing, 2003
Formatting: 4to, pp. 192.
Condition Report: Near Fine. The softcover binding is remarkably tight and square, showing absolutely no evidence of reader's creases to the spine. The covers are bright, clean, and structurally sound, with only the most trivial hints of shelf-wear to the extremities, specifically a microscopic touch of rubbing at the corner tips. Internally, the pages are crisp, bright, and free of any foxing or notation, preserving the numerous colour plates in an immaculate state. The block edges are exceptionally clean and unblemished, concluding a highly presentable, well-preserved, and seemingly unread copy.
Catalogue Note: First edition, softcover issue. Extensively illustrated throughout with technical photographs, advanced materials analysis, and high-quality reproductions of Blake's temperas, large colour prints, and watercolours.
Published to accompany extensive scientific and historical research carried out at Tate, the volume stands as a significant contribution to the technical study of William Blake's artistic output.
Copies of this true Tate softcover first edition are increasingly uncommon on the open market, particularly in such sharp, pristine condition.
William Blake: The Painter at Work offers an innovative and revealing approach to one of the most individual of all British artists. Based on extensive research at Tate, it provides fresh insights into Blake's techniques and choice of materials, dispelling many of the enduring myths about his working practices. Richly illustrated and combining thorough scholarship with technical photography and the latest scientific methods, this volume explains the original appearance of his works and their subsequent deterioration, making a valuable and timely contribution to our understanding of a unique artist.
Book Condition: Near Fine
Book Authors: Joyce H. Townsend
Book Publisher: Tate Publishing
Book Language: English
Narrative Type: Non-Fiction
Genre: Art & Architecture
Book edition: First Edition
Signed: No
Book Pages: 192
Book Publication Year: 2003
Book Publication Date:
Book Binding: Paperback
Illustrator: William Blake
Book Series: N/A
Country/region of manufacture: Hong Kong, China
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible ā nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage ā small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the bookās endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects ā loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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