WMF Ikora & Myra Gläser | Glass, Carlo Burschel and Heinz Scheiffele — 1st Ed

WMF Ikora & Myra Gläser | Glass, Carlo Burschel and Heinz Scheiffele — 1st Ed

£41.50
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WMF Ikora & Myra Gläser | Glass, Carlo Burschel and Heinz Scheiffele — 1st Ed

WMF Ikora & Myra Gläser | Glass, Carlo Burschel and Heinz Scheiffele — 1st Ed

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£41.50

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Publication: Stuttgart, Arnoldsche Art Publishers, 2003 

Formatting: 4to, pp. 200.

Condition Report: Near Fine. This copy is securely bound in its original glossy pictorial boards, with the binding remaining exceptionally tight and perfectly square. The exterior boards are bright and immaculate, showing virtually no shelf-wear, rubbing, or bumping to the corners or spine ends. Internally, the text block is pristine; the pages remain crisp, clean, and entirely free from toning, foxing, or handling marks, ensuring the numerous illustrations and historical reproductions are vividly presented. A remarkably well-preserved, collector-quality copy.

Catalogue Note: This is the first edition, first printing of this comprehensive reference work, published in a dual-language format (German and English). The book was issued without a dust jacket, intended to be presented in its durable, high-gloss pictorial boards.

Profusely illustrated with both contemporary colour photographs and historical reproductions from original company catalogues, this volume serves as an indispensable visual archive. While the edition remains relatively accessible on the open market, finding copies in such immaculate, unblemished condition is highly desirable for serious collectors of twentieth-century decorative arts and glasswork.

Drawing extensively upon contemporary advertising and original sales catalogues, this authoritative volume offers the first exhaustive survey of the Ikora and Myra art glass lines produced by Württembergische Metallwarenfabrik AG (WMF) between the 1920s and the 1950s. Initiated under the vision of director general Hugo Debach, these lines encompassed both unique 'Unika' masterpieces and mass-produced art glass, swiftly earning public acclaim following their debut at the Württembergisches Landesmuseum. Beyond exploring the rich historical context of these creations, the book provides collectors with a comprehensive catalogue of WMF products, enabling both the definitive identification of authentic Ikora and Myra pieces and the ability to distinguish them from contemporary imitations by rival manufacturers.

Book Condition: Near Fine

Book Authors: Carlo Burschel, Heinz Scheiffele

Book Publisher: Arnoldsche Art Publishers

Book Language: German, English

Narrative Type: Collectables & Artwork

Genre: Art & Architecture

Book edition: First Edition

Signed: No

Book Pages: 200

Book Publication Year: 2003

Book Publication Date:

Book Binding: Hardcover

Illustrator: N/A

Book Series: Industrially Produced Arts, Crafts and Design in the 20th century

Country/region of manufacture: Dettingen/Erms, Germany

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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