A Comic Opera Life, Lindsay Harman — 1st Edition

A Comic Opera Life, Lindsay Harman — 1st Edition

£65.00
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A Comic Opera Life, Lindsay Harman — 1st Edition

A Comic Opera Life, Lindsay Harman — 1st Edition

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£65.00

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Publication: West Hartlepool, William Barlow, 1924

Formatting: 8vo.

Condition Report: Very Good. The original red cloth boards remain firm and robust, presenting well with only minor rubbing to the extremities and a slight degree of sun-fading to the spine. The binding is remarkably tight and square for a volume of this era, showing no signs of leaning or weakness at the hinges. Internally, the text block exhibits typical age-toning and moderate scattered foxing, most notably along the page edges and preliminary leaves, but remains entirely legible and free from major structural defects or tears. The blind-stamped front emblem and black spine lettering retain their clarity, making for a handsome, well-preserved surviving copy.

Catalogue Note: First edition. A decidedly scarce theatrical memoir featuring a photographic frontispiece. This volume offers a highly detailed, first-hand account of the author's tenure in late 19th-century and early 20th-century comic opera companies.

True first printings of this regional publication are uncommon on the open market, particularly in their original cloth bindings without institutional stamps or significant restorative work.

Drawing from over a decade of experience treading the boards with the D'Oyly Carte Opera Company between 1890 and 1901, Lindsay Harman provides a captivating, behind-the-curtain look at the golden age of comic opera. From serving in the chorus line to understudying major roles and travelling across the Atlantic for North American tours, Harman recounts the trials, triumphs, and daily realities of a touring theatrical performer and producer. This memoir stands as a vivid and engaging historical record for enthusiasts of Gilbert and Sullivan and Victorian theatre.

Book Condition: Very Good

Book Authors: Lindsay Harman

Book Publisher: William Barlow

Book Language: English

Narrative Type: Non-Fiction

Genre: Film & Theatre

Book edition: First Edition

Signed: No

Book Pages:

Book Publication Year: 1924

Book Publication Date:

Book Binding: Hardcover

Illustrator: N/A

Book Series: N/A

Country/region of manufacture: West Hartlepool, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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