A Tale of Two Cities, Charles Dickens — 1924 Reprint
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Publication: London, Macmillan and Co., Limited, 1924
Formatting: Sm. 8vo, pp. xxv, 324.
Condition Report: Very Good. The original limp blue leather binding remains entirely sound and flexible, though it exhibits light shelf-wear typical with age, including minor rubbing to the extremities and slight softening at the spine ends. The boards show occasional faint scuffs and handling marks, yet the gilt Art Nouveau tooling to the spine retains much of its original brightness. The hinges and joints are firm, with no splitting or notable weakness. Internally, the text block is commendably clean and tightly bound; the pages are bright, free of major foxing or prominent blemishes, and the gilt edges remain solid despite some superficial dulling. A well-preserved, handsome copy.
Catalogue Note: This pocket-sized edition is a reprint of the 1902 issue, notable for featuring the comprehensive biographical and bibliographical introduction by the author's eldest son, Charles Dickens the Younger. The text is accompanied by faithful reproductions of the original illustrations by H. K. Browne ('Phiz').
Bound in the deluxe, secondary limp blue leather, often preferred for presentation or travel, this iteration is complete with a blind-stamped front board monogram. While early 20th-century pocket reprints are relatively abundant on the open market, finding these limp leather variants in sound, uncracked condition is increasingly uncommon.
Set against the brutal, blood-stained backdrop of the French Revolution, A Tale of Two Cities remains one of Dickens’s most thrilling and deeply affecting masterpieces. Moving seamlessly between the contrasting worlds of London and Paris, the novel weaves a masterful web of political turmoil, personal sacrifice, and profound redemption. As the guillotine casts its dark shadow over a fractured society, the lives of the cynical barrister Sydney Carton, the honourable Charles Darnay, and the beautiful Lucie Manette are drawn into an unforgettable crescendo of love and ultimate self-sacrifice.
Book Condition: Very Good
Book Authors: Charles Dickens
Book Publisher: Macmillan and Co., Limited
Book Language: English
Narrative Type: Fiction
Genre: Historical Fiction
Book edition:
Signed: No
Book Pages: 324
Book Publication Year: 1924
Book Publication Date:
Book Binding: Limp Leather
Illustrator: H. K. Browne
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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