All-American Ads 1900-1919, Edited by Jim Heimann — First Taschen Flexicover

All-American Ads 1900-1919, Edited by Jim Heimann — First Taschen Flexicover

£50.00
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All-American Ads 1900-1919, Edited by Jim Heimann — First Taschen Flexicover

All-American Ads 1900-1919, Edited by Jim Heimann — First Taschen Flexicover

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£50.00

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Publication: Cologne, Taschen GmbH, 2003

Formatting: 4to, pp. 638.

Condition Report: Very Good. A remarkably robust and secure copy of this substantial flexicover volume, tightly bound with an uncreased spine despite its considerable weight. The pictorial card covers present vibrantly but exhibit minor shelf-wear, including mild rubbing to the extremities, a superficial bump to the spine head, and a moderate superficial indentation traversing the dark hull of the Aquitania on the front panel. The text block is square and firm, with the page edges showing only the faintest trace of handling dust. Internally, the volume is exceptionally clean, bright, and entirely free from foxing or prominent blemishes, offering crisp and beautifully preserved pages throughout.

Catalogue Note: First Taschen flexicover edition. Profusely illustrated throughout with full-colour reproductions of early twentieth-century American print advertisements, painstakingly digitally remastered to restore their original vibrancy. The volume features an insightful introduction by Steven Heller, with the primary text presented multilingually in English, German, French, Spanish, and Japanese.

While this title was originally produced for the mass market, this early 2003 printing has become increasingly uncommon on the open market in a solid, uncreased condition. The sheer weight of the 600-plus page text block often leads to severe spine cracking or structural failure in read copies, making intact examples highly desirable for design reference libraries.

Zoom back in time to the dawn of modern consumerism! This monumental visual anthology captures the exuberant spirit of the 1900s and 1910s, tracing the pivotal shift from text-heavy notices to the lavish, beautifully illustrated Art Nouveau visuals that defined a new era of advertising. Showcasing pristine original print ads for everything from the earliest automobiles and trans-Atlantic travel to fashion, food, and emerging technologies, this collection serves as a vibrant cultural time capsule. It offers an unparalleled window into the everyday lives, aspirations, and relentless optimism of a burgeoning American middle class.

Book Condition: Very Good

Book Authors: Jim Heimann

Book Publisher: Taschen

Book Language: Multilingual (English, German, French, Spanish, Japanese)

Narrative Type: Non-Fiction

Genre: Art & Architecture

Book edition:

Signed: No

Book Pages: 638

Book Publication Year: 2003

Book Publication Date:

Book Binding: Flexicover

Illustrator: Various

Book Series: Taschen All-American Ads

Country/region of manufacture: Cologne, Germany

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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