Augustus John, John Rothenstein — 1st Edition
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Publication: London, George Allen & Unwin Ltd / Phaidon Press, 1944
Formatting: 4to, pp. 26, [95].
Condition Report: Very Good. The binding remains firm and secure, with the dark cloth boards and contrasting spine exhibiting only minor edge-wear and light bumping to the extremities. The striking white stylized lettering on the front board is still bright and unrubbed. The spine shows some darkening and tanning typical of the age, though the black text remains highly legible. Internally, the cream pages exhibit moderate foxing and spotting, primarily concentrated on the endpapers, with natural toning visible along the page edges. A neat contemporary ink ownership inscription ("R. E. Sadler. / Rugby. (Coventry). / 14. X. 45.") rests on the front endpaper. The frontispiece, title page, and the internal text remain clean and highly presentable.
Catalogue Note: First edition, issued in 1944. This comprehensive monograph is heavily illustrated, featuring 95 plates reproducing the works of the celebrated Welsh painter, alongside a frontispiece self-portrait.
The volume bears the contemporary ink inscription of "R. E. Sadler. / Rugby. (Coventry)." dated October 14, 1945. Notably, this copy presents the publisher's striking original binding, lacking the dust jacket, featuring bold white typography printed directly onto the front board.
Produced during the latter years of the Second World War, these large-format Phaidon monographs were intended to bring high-quality art reproductions to a wider public audience. The edition remains relatively common on the secondary market today, though copies are frequently encountered without the fragile original dust jacket.
Authored by Sir John Rothenstein, the distinguished art historian and former director of the Tate Gallery, this mid-century Phaidon Press monograph offers a robust survey of Augustus John's extraordinary oeuvre. Celebrating the Welsh artist known for his brilliant draftsmanship and vivid portraits, the book features an introductory critical essay followed by nearly a hundred full-page reproductions. It stands as a handsome, enduring tribute to one of Britain's most flamboyant and talented post-impressionist painters.
Book Condition: Very Good
Book Authors: John Rothenstein
Book Publisher: Phaidon Press
Book Language: English
Narrative Type: Non-Fiction
Genre: Art & Architecture
Book edition: First Edition
Signed: No
Book Pages: 121
Book Publication Year: 1944
Book Publication Date:
Book Binding: Hardcover
Illustrator: Augustus John
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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