Beat Sound, Beat Vision: The Beat Spirit and Popular Song — 1st Ed

Beat Sound, Beat Vision: The Beat Spirit and Popular Song — 1st Ed

£50.20
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Beat Sound, Beat Vision: The Beat Spirit and Popular Song — 1st Ed

Beat Sound, Beat Vision: The Beat Spirit and Popular Song — 1st Ed

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£50.20

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Beat Sound, Beat Vision: The Beat Spirit and Popular Song, Laurence Coupe — 1st Edition

Publication: Manchester, Manchester University Press, 2007

Formatting: 8vo, pp. 240.

Condition Report: Near Fine. The volume presents exceptionally well in its original dust jacket, which remains bright, crisp, and entirely free from edge-tears, rubbing, or fading. Beneath the jacket, the charcoal-grey cloth boards are remarkably clean with sharp, unbumped corners and gleaming silver-stamped lettering to the spine. The binding remains remarkably tight and square, suggesting the book has seen little to no reading wear. Internally, the pages are bright, clean, and entirely free from foxing, handling marks, or previous ownership inscriptions, while the text block edges remain perfectly clean and unblemished. An excellent, collector-quality copy.

Catalogue Note: This is a true First Edition, First Impression, as confirmed by the complete 1–10 number line to the copyright page. It is presented in its original hardback format, complete with the publisher's dust jacket.

Serving as a crossover text between academic literary criticism and popular music history, this volume provides a rigorous examination of the Beat Generation's ideological legacy.

While the text remains accessible via later print-on-demand softcover reissues, encountering a true 2007 first printing hardback in such pristine condition on the secondary market is increasingly uncommon.

Beat Sound, Beat Vision: The Beat Spirit and Popular Song offers a compelling exploration of how the spiritual and literary revolution sparked by the Beat Generation profoundly shaped the soundtrack of the 1960s. Moving beyond simple biographical connections, Laurence Coupe delves into the 'Beat Zen' philosophy championed by Alan Watts and the 'beatific' visions of Jack Kerouac to trace a direct lineage to the era's most iconic songwriters. Through detailed, insightful readings, the book reveals how the countercultural energy of Kerouac, Allen Ginsberg, and Gary Snyder was translated into the lyrical genius of artists like Bob Dylan, The Beatles, Jim Morrison, Joni Mitchell, and Nick Drake. It is an essential and engaging read for anyone fascinated by the intersection of pop culture, literature, and modern spirituality.

Book Condition: Near Fine

Book Authors: Laurence Coupe

Book Publisher: Manchester University Press

Book Language: English

Narrative Type: Non-Fiction

Genre: Music

Book edition: First Edition

Signed: No

Book Pages: 240

Book Publication Year: 2007

Book Publication Date:

Book Binding: Hardcover

Illustrator: N/A

Book Series: N/A

Country/region of manufacture: Glasgow, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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