Blake's Illustrations to the Poems of Gray, Irene Tayler — 1st Ed
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Publication: Princeton, Princeton University Press, 1971.
Formatting: 4to, pp. 169.
Condition Report: Near Fine. The accompanying dust jacket is clean and well-preserved. The original green buckram binding remains remarkably firm, tight, and square, displaying sharp corners and no significant shelf-wear to the board edges. The spine is uncreased, featuring a deep black title block with brilliant, unoxidised gilt lettering that remains striking and completely unrubbed. Internally, the text block is clean and solidly attached, with only the very slightest age-toning to the page edges. The leaves themselves are exceptionally bright, crisp, and entirely free from foxing or previous ownership markings, ensuring the colour frontispiece of Ode on the Death of a Favourite Cat is preserved in an excellent state.
Catalogue Note: This 1971 first edition published by Princeton University Press represents a cornerstone critical study of William Blake's visionary interpretation of Thomas Gray's poetry.
The volume is notably illustrated with a full-colour frontispiece of Ode on the Death of a Favourite Cat, which was made possible by a gift from Mr. J. Lionberger Davis. This frontispiece is reproduced from the Trianon Press hand-coloured facsimile edition of Blake's designs, produced for Mr. Mellon and published for the William Blake Trust. The remaining designs are reproduced in black-and-white.
While this title is not exceptionally rare on the open market, copies surviving in such tight, clean, and unrubbed condition are increasingly sought after by both Blake scholars and collectors of art reference literature.
An essential resource for art scholars and enthusiasts of William Blake, Irene Tayler’s scholarly work provides a comprehensive analysis of the illustrations Blake created for the poems of Thomas Gray. Tayler's volume allows admirers of Blake to appreciate the delicate tints and shadings of his original designs. By offering a profound visual record alongside a detailed commentary on how Blake’s visual art interprets Gray’s original verse, this book stands as a vital text in the history of art and literature.
Book Condition: Near Fine
Book Authors: Irene Tayler
Book Publisher: Princeton University Press
Book Language: English
Narrative Type: Non-Fiction
Genre: Art & Architecture
Book edition: First Edition
Signed: No
Book Pages: 169
Book Publication Year: 1971
Book Publication Date:
Book Binding: Hardcover
Illustrator: William Blake
Book Series: N/A
Country/region of manufacture: Princeton, United States
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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