Carmina Quadragesimalia, Charles Este (Editor) — 1st Edition

Carmina Quadragesimalia, Charles Este (Editor) — 1st Edition

£125.00
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Carmina Quadragesimalia, Charles Este (Editor) — 1st Edition

Carmina Quadragesimalia, Charles Este (Editor) — 1st Edition

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£125.00

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Publication: Oxford, E Theatro Sheldoniano, 1723

Formatting: 8vo.

Condition Report: Very Good. Bound in a handsome, likely late-nineteenth or early-twentieth-century half calf over vibrant marbled paper boards. The binding remains remarkably tight, square, and sound, with the supple calfskin spine exhibiting only minimal rubbing to the extremities and raised bands. The twin black morocco spine labels, one lettered in gilt, the other bearing the 1723 date, remain bright and unchipped. The marbled boards are exceptionally clean with virtually no shelf-wear. Internally, the hinges are perfectly intact and secure. The text block is crisp and well-preserved; the leaves show only mild, age-appropriate toning and negligible occasional foxing, primarily restricted to the extreme margins and preliminary pages. The woodcut initials and headpieces remain sharp and bold. An altogether highly attractive, well-rounded copy.

Catalogue Note: First edition. Printed at the Sheldonian Theatre in Oxford, this collection of Carmina Quadragesimalia (Lenten Verses) was edited by Charles Este (1696–1745), who later became Bishop of Waterford and Lismore. The volume compiles Latin poems composed by the students (alumni) and determining bachelors of Christ Church, Oxford, which were publicly recited in the School of Natural Philosophy.

The verses offer a fascinating insight into the pedagogical traditions, classical fluency, and intellectual preoccupations of eighteenth-century Oxford. Each poem traditionally responds to a set philosophical or theological question (e.g., An Idem semper agat Idem?). While later editions and a second volume were published in the subsequent decades (notably in 1741 and 1748), this true 1723 first printing remains the foundational text.

Though copies of this work do occasionally appear on the open market, they are frequently found in heavily worn or compromised contemporary bindings. It is scarce to encounter a copy so sympathetically bound and well-preserved, making this an excellent addition to any collection of academic history or classical reception.

A remarkable artifact of eighteenth-century Oxford academia, Carmina Quadragesimalia gathers the Lenten Latin verses of Christ Church students, publicly recited as part of their rigorous philosophical training. Edited by Charles Este, this 1723 first edition captures the wit, classical erudition, and intellectual milieu of the era's scholars. Bound in an exquisite half-calf over vibrant marbled boards, it remains a handsome and historically rich volume for collectors of educational history and antiquarian Latin texts.

Book Condition: Very Good

Book Authors: Charles Este (Editor)

Book Publisher: E Theatro Sheldoniano

Book Language: Latin

Narrative Type: Antiquarian

Genre: Poetry

Book edition: First Edition

Signed: No

Book Pages:

Book Publication Year: 1723

Book Publication Date:

Book Binding: Half Calf

Illustrator: N/A

Book Series: N/A

Country/region of manufacture: Oxford, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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