Charles Dickens and Music, James T. Lightwood — 1st Edition
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Publication: London, Charles H. Kelly, 1912
Formatting: 8vo, pp. [xiv], 177.
Condition Report: Very Good. The original blue cloth binding remains tight and structurally sound, showing only light rubbing to the extremities and slight softening to the spine ends. The striking gilt tooling to the front board and spine remains remarkably bright and unoxidised, presenting very well on the shelf. Internally, the textblock is square and secure. While the pages are largely clean and legible, there is moderate foxing to the preliminary leaves, title page, and the untrimmed textblock edges, typical for paper stock of this era. A neat, contemporaneous previous ownership inscription is present on the front free endpaper.
Catalogue Note: This is a true 1912 first edition. The book opens with an illustrated frontispiece capturing a classic Dickensian musical scene, setting the tone for the comprehensive study that follows.
The front endpaper bears a neat previous ownership signature reading "G. E. J. Granville Garbett, Manchester. November 1937.". This copy remains in its original, untrimmed state, a desirable trait for purists of Edwardian publisher's cloth bindings.
While copies of Lightwood's work occasionally appear on the market, they are often heavily worn or ex-institutional. Finding an internally secure copy with such well-preserved gilt detailing on the original cloth is becoming increasingly uncommon.
First published in 1912, James T. Lightwood’s Charles Dickens and Music is a delightful and definitive study of the musical life threaded throughout the works of the great Victorian novelist. Rather than a dry historical account, Lightwood meticulously catalogues the songs, instruments, and musicians that populate Dickens's world, revealing how deeply melody influenced his character creation and atmospheric settings. From Trotty Veck’s band of music to the famous complaints about clamorous church bells in Little Dorrit, this volume serves as an essential companion for both Dickens enthusiasts and musical historians seeking to understand the popular musical culture of the nineteenth century.
Book Condition: Very Good
Book Authors: James T. Lightwood
Book Publisher: Charles H. Kelly
Book Language: English
Narrative Type: Non-Fiction
Genre: Criticism & Essays
Book edition: First Edition
Signed: No
Book Pages: 177
Book Publication Year: 1912
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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