Delusion and Dream, Sigmund Freud — 1st Edition
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Publication: London, George Allen and Unwin Ltd., 1921
Formatting: 8vo, pp. 213.
Condition Report: Good. The book remains structurally sound and firmly bound, presenting nicely despite notable cosmetic wear to the exterior that prevents a higher grading. The original terracotta cloth boards are rubbed at the extremities, with minor softening and a tiny nick to the cloth at the spine ends. The spine itself is heavily sun-faded, uniformly toned to a tan hue that obscures the original red, though the gilt lettering remains distinctly legible. Internally, the text block is tight and the hinges are completely secure. The pages are largely clean and bright, save for moderate, scattered foxing primarily confined to the text block edges, prelims, and endpapers. Overall, a robust, highly readable copy showing honest wear and sunning commensurate with age.
Catalogue Note: This 1921 George Allen and Unwin publication represents the First UK Edition of Sigmund Freud's Delusion and Dream. It features Helen M. Downey’s English translation of Freud’s psychoanalytic interpretation of Wilhelm Jensen's novel Gradiva, accompanied by an introduction from Dr. G. Stanley Hall.
First published in the United States in 1917 by Moffat, Yard and Company, this British issue retains the comprehensive text and analytical framework that became a cornerstone of early 20th-century psychoanalytic literary criticism.
The volume is notably scarce on the open market, particularly in its original un-restored cloth binding.
In Delusion and Dream, the pioneering father of psychoanalysis, Sigmund Freud, turns his revolutionary diagnostic lens upon the realm of literature. Through a meticulous examination of Wilhelm Jensen's novella Gradiva, Freud demonstrates how the mechanisms of dreams, repressed desires, and psychological neuroses function not only in living patients but within the constructed minds of fictional characters. This fascinating treatise serves as both a compelling psychological case study and a foundational text for psychoanalytic literary criticism, illuminating the profound connections between art, mythology, and the subconscious mind.
Book Condition: Good
Book Authors: Sigmund Freud
Book Publisher: George Allen and Unwin Ltd.
Book Language: English
Narrative Type: Non-Fiction
Genre: Philosophy
Book edition: First Edition
Signed: No
Book Pages: 213
Book Publication Year: 1921
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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