Discover Degas & Miss La La, Anne Robbins, Others

Discover Degas & Miss La La, Anne Robbins, Others

£19.99
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Discover Degas & Miss La La, Anne Robbins, Others

Discover Degas & Miss La La, Anne Robbins, Others

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£19.99

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Condition Report: New: A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.  

Catalogue Note: A pristine, unread copy of this significant exhibition catalogue from the National Gallery, London. Discover Degas & Miss La La provides the first in-depth study of Edgar Degas’s 1879 masterpiece, Miss La La at the Cirque Fernando. By drawing on new research and previously unpublished sketches and photographs, this volume sheds light on the identity of the biracial circus performer Anna Albertine Olga Brown and analyzes Degas's complex engagement with race and ethnicity—both in the Parisian circus world and through his own family history in New Orleans. With 71 color illustrations, this book is an essential addition for art historians and collectors interested in 19th-century French painting and the intersection of art and social history. Edgar Degas's Miss La La at the Cirque Fernando is one of the only paintings by the artist to feature a person of color. This book tells the extraordinary story behind that groundbreaking work. It explores the life and career of "Miss La La," a renowned circus performer of daring athleticism, while tracing the genesis of Degas’s painting from his rapid sketches done in situ to his finished pastels. Beyond the portrait itself, the authors examine the imagery of the acrobat in fin-de-siècle Paris and Degas’s own attitudes toward his Creole heritage. It is a compelling, scholarly investigation into a pivotal work of Impressionist-era art, offering a nuanced look at identity and representation in late nineteenth-century France.

ISBN: 9781857097146

Book Condition: New

Book Authors: Anne Robbins, Chiara Di Stefano, Laurie Fierstein, Darcy Grimaldo Grigsby, Denise Murrell, Isolde Pludermacher, and Christopher Riopelle

Book Publisher: National Gallery London

Book Language: en

Narrative Type: Non-Fiction

Genre: Art & Architecture

Book edition:

Signed:

Book Pages: 136

Book Publication Year: 2025

Book Publication Date:

Book Binding: Paperback

Illustrator:

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Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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