E. Mcknight Kauffer: Design (Design Series), Brian Webb
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Edward McKnight Kauffer (1890-1954) was the most celebrated graphic designer working in Britain in the twentieth century. Born in Montana, he left America before the first world war to travel throughout Europe absorbing the influences of the Cubists and the German poster artist Ludwig Hohlwein. At the onset of war he settled in London. Seeing himself as a painter, he allied himself with the London Group and the Vorticists.
He worked at Roger Fry's Omega Workshops with Vanessa Bell and Duncan Grant and in 1915 was commissioned by Frank Pick, then the publicity manager at London Underground. This was the beginning of a client/designer relationship that lasted throughout the 1920s and 30s ending only when Kauffer returned to New York in 1940. His posters, brilliantly colored and strikingly modern, struck London like a Cubist thunderbolt. Soon other clients, Jack Beddington at Shell, Sir Colin Anderson at the Orient Shipping line, the Daily Herald (the instantly recognizable Birds in Flight poster), and the Post Office were commissioning posters, brochures, book covers and illustrations. The V&A began collecting Kauffer's posters in 1915 and he was given a retrospective exhibition at the Museum of Modern Art, New York, in 1937.
E McKnight Kauffer, Design contains over 150 illustrations, many from original artworks, and work not previously reproduced. Brian Webb has provided descriptions and an introductory essay is written by Peyton Skipwith.
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Book Condition: New
Book Authors: Brian Webb and Peyton Skipwith
Book Publisher: ACC Art Books
Book Language: en
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Book Pages: 96
Book Publication Year: 2007
Book Publication Date:
Book Binding: Hardcover
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Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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