Englands Parnassus, Compiled by Robert Allot and Edited by Charles Crawford

Englands Parnassus, Compiled by Robert Allot and Edited by Charles Crawford

£195.00
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Englands Parnassus, Compiled by Robert Allot and Edited by Charles Crawford

Englands Parnassus, Compiled by Robert Allot and Edited by Charles Crawford

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£195.00

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Englands Parnassus, Compiled by Robert Allot and Edited by Charles Crawford — First Edition Thus

Publication: Oxford, At the Clarendon Press, 1913

Formatting: 8vo, pp. xliii, 560.

Condition Report Very Good. The volume presents well in its original red cloth, though the spine has sunned to a warmer, brownish tone, which is typical for this binding. The gilt floral tooling and lettering remain relatively bright, particularly on the front board, though a patch of dark discoloured staining is present near the top edge of the front cover. The extremities show minor rubbing and softening, with the binding remaining tight, square, and structurally sound. Internally, the pages are largely crisp and bright with a gilt top edge, though the untrimmed fore and bottom edges exhibit moderate toning. A neatly penned previous ownership signature ("J. Richards") and a discreet blue monogram stamp reside on the verso of the half-title page. Aside from mild, occasional spotting to the endpapers and preliminary leaves, the text block is clean and entirely legible, preserving the integrity of this robust scholarly edition.

Catalogue Note This is Charles Crawford's critically acclaimed 1913 scholarly edition, published at the Clarendon Press. Crawford’s monumental effort sought to correct the textual inaccuracies of Robert Allot’s original 1600 compilation, meticulously referencing the original text held at the Bodleian Library against two copies in the British Museum. The volume features a gilt top edge and a red silk ribbon marker.

Provenance is noted by a previous owner’s signature alongside a blue monogram ink stamp on the verso of the half-title page. Genuine 1913 Clarendon Press printings of this specific work have become increasingly scarce on the open market, with the vast majority of currently available copies being modern print-on-demand facsimiles.

Originally published in 1600, Englands Parnassus is a seminal Elizabethan poetry miscellany compiled by Robert Allot. Designed as a commonplace book, it gathered over two thousand quotations from the leading literary figures of the period, including significant early printings of verse by William Shakespeare, Edmund Spenser, and Christopher Marlowe. Charles Crawford’s 1913 critical edition remains a vital scholarly achievement, providing an exhaustive introduction, detailed notes, and comprehensive indexes that finally brought rigorous academic clarity to a text notorious for its early printing errors and misattributions.

Book Condition: Very Good

Book Authors: Robert Allot; Charles Crawford

Book Publisher: Clarendon Press

Book Language: English

Narrative Type: Antiquarian

Genre: Poetry

Book edition:

Signed: No

Book Pages: 560

Book Publication Year: 1913

Book Publication Date:

Book Binding: Hardcover

Illustrator: N/A

Book Series: N/A

Country/region of manufacture: Oxford, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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