English Folk-Song: Some Conclusions, Cecil J. Sharp — 1st Edition
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Publication: London, Simpkin & Co., Ltd., Novello & Co., Ltd., and Taunton, Barnicott & Pearce, Athenæum Press, 1907
Formatting: Small 4to, pp. [xvi], 143.
Condition Report: Good. A structurally sound copy presented in a full green morocco school prize binding, though the spine has heavily and evenly sunned to a tan-brown, a common occurrence with green leathers of this period. The binding exhibits notable shelf-wear, most prominently at the head of the spine where the leather is chipped, frayed, and peeling, alongside light rubbing to the tail. The joints are rubbed but remain entirely intact and secure, while the boards display scattered surface scuffs, light scratches, and bumped corners that expose the underlying board at the tips. The text block is firm and the hinges appear sound. Internally, the pages are generally clean, exhibiting mild age-toning and occasional scattered foxing, which is primarily restricted to the preliminary and concluding leaves. The marbled endpapers remain vibrant, and the intricate gilt crest on the front board remains bright and unoxidised.
Catalogue Note: First edition of Cecil Sharp's foundational text on the English folk-song revival. This copy is bound in a handsome full leather school prize binding from The Hall School, Hampstead, featuring their gilt crest and 'Honoris Causa' motto stamped to the front board. The volume also includes the original printed dedication to the Reverend Sabine Baring-Gould.
Sharp’s work was instrumental in documenting and defining the rural musical traditions of England, framing them as a distinct, evolutionary expression of national identity.
True first editions of this 1907 work are relatively scarce on the open market, particularly when found in institutional prize bindings, which mark the work's early acceptance into academic and educational spheres.
In English Folk-Song: Some Conclusions, renowned ethnomusicologist Cecil J. Sharp presents a passionate and scholarly defence of England's indigenous musical heritage. Drawing upon his extensive fieldwork collecting songs from rural singers across the country, Sharp articulates the evolutionary origins of the folk song, distinguishing it from cultivated popular music as an organic expression of the working classes. His work not only sparked the second British folk revival but also sought to instil a sense of national pride and cultural continuity by preserving the melodies and lyrics of a disappearing agrarian world before they were lost to industrialisation.
Book Condition: Good
Book Authors: Cecil J. Sharp
Book Publisher: Simpkin & Co., Ltd. / Novello & Co., Ltd. / Barnicott & Pearce
Book Language: English
Narrative Type: Non-Fiction
Genre: Music
Book edition: First Edition
Signed: No
Book Pages: 159
Book Publication Year: 1907
Book Publication Date:
Book Binding: Leather
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: London & Taunton, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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