From My Library Walls: A Kaleidoscope of Memories, William Dana Orcutt — 1st Ed

From My Library Walls: A Kaleidoscope of Memories, William Dana Orcutt — 1st Ed

Ā£20.00
Skip to product information
From My Library Walls: A Kaleidoscope of Memories, William Dana Orcutt — 1st Ed

From My Library Walls: A Kaleidoscope of Memories, William Dana Orcutt — 1st Ed

Write Review

In stock

Ā£20.00

Shipping is calculated at checkout.

Publication: London, John Murray, 1946

Formatting: 8vo, pp. [viii], 246.

Condition Report: Very Good. The green cloth binding remains remarkably firm and clean, with the gilt lettering to the spine remaining bright, sharp, and unoxidised. The text block is tight and square, though the page edges display moderate age-related foxing and dusting. The endpapers exhibit light offsetting and toning, but the interior pages are otherwise clean and free of notable blemishes. The original, unclipped dust wrapper (retaining the 12s. 6d. net price) shows light general soiling, foxing, and toning to the cream paper stock. There is some minor edge-wear, accompanied by shallow chipping and a short closed tear to the head of the spine and panels, but it remains an attractive, largely complete example of a fragile post-war jacket.

Catalogue Note: This is the first English edition of Orcutt's memoir, following the American publication by Longmans the previous year. The volume includes a photographic frontispiece of the author at study, situated above a facsimile signature, which should be noted as a printed reproduction rather than an original inscription.

While the American edition surfaces with some regularity, this British imprint by John Murray is uncommon on the open market, particularly when retaining its original, unclipped dust wrapper in such respectable condition.

In From My Library Walls, esteemed American bibliophile, typographer, and author William Dana Orcutt presents a captivating and erudite memoir of his life among books. Part literary reminiscence and part historical reflection, Orcutt recounts his encounters with a diverse array of prominent figures, from Mary Baker Eddy and Henry James to J.M. Barrie at the Garrick Club, while meditating on the profound artistry of book production. Tracing the legacy of printing from Gutenberg and Plantin through to William Morris, this work offers a warm, engaging testament to the enduring magic of the printed word and the golden age of bookmaking.

Book Condition: Very Good

Book Authors: William Dana Orcutt

Book Publisher: John Murray

Book Language: English

Narrative Type: Non-Fiction

Genre: Autobiography, Biography & Memoirs

Book edition: First Edition

Signed: No

Book Pages: 254

Book Publication Year: 1946

Book Publication Date:

Book Binding: Hardcover

Illustrator: N/A

Book Series: N/A

Country/region of manufacture: London, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

Get in touch

We'd love to hear from you. Fill out the form below and we'll get back to you as soon as possible.

You may also like

Join the Broadhurst Archive

Be the first to hear about rare new arrivals, signed editions, and literary events. A century of stories delivered straight to your inbox.