Greek, Etruscan and Roman Vases in the Lady Lever Art Gallery, Port Sunlight
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Greek, Etruscan and Roman Vases in the Lady Lever Art Gallery, Port Sunlight, Martin Robertson — First Edition
Publication: Liverpool, Liverpool University Press, 1987
Formatting: Metric Royal 4to, pp. 170.
Condition Report: Near Fine. The book is bound in the publisher's original bright terracotta cloth with unoxidised gilt lettering to the spine, presenting as remarkably fresh and tightly bound with square, unbumped corners. Internally, the text block is pristine, bright, and entirely free from foxing, handling marks, or previous ownership inscriptions, with a flawless top edge that lacks any typical dust-dulling. The accompanying original dust jacket is also Near Fine; it remains vibrant, glossy, and unclipped, exhibiting only the most negligible, superficial hints of handling to the absolute extremities. A superior, well-preserved copy of this scholarly reference.
Catalogue Note: This is a true first edition, published in 1987 by the Liverpool University Press for the National Museums and Galleries on Merseyside. It was issued as a key reference work within the 'Liverpool Monographs in Archaeology and Oriental Studies' series, under the general editorship of J. K. Davies and A. F. Shore.
The volume features 179 detailed plates that comprehensively document the antiquities collection. Finding a copy in such well-preserved, seemingly unread condition on the open market is increasingly uncommon, particularly with the original dust jacket completely intact and free from the sun-fading often endemic to this title.
Compiled by the eminent classical archaeologist Martin Robertson, this meticulous catalogue provides a comprehensive overview of the Greek, Etruscan, and Roman vases held in the collections of the Lady Lever Art Gallery in Port Sunlight. Originally part of the vast art holdings amassed by William Hesketh Lever, 1st Viscount Leverhulme, these ancient ceramic pieces represent a fascinating intersection of classical antiquity and early twentieth-century British connoisseurship. Robertson’s authoritative text offers in-depth stylistic and historical analyses of the varied forms, decorative motifs, and chronological significance of the pieces, shedding vital light on both the artefacts themselves and the history of their acquisition. Profusely illustrated, it remains an indispensable reference for archaeologists, art historians, and collectors of classical pottery.
Book Condition: Near Fine
Book Authors: Martin Robertson
Book Publisher: Liverpool University Press
Book Language: English
Narrative Type: Non-Fiction
Genre: Art & Architecture
Book edition: First Edition
Signed: No
Book Pages: 170
Book Publication Year: 1987
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: Liverpool Monographs in Archaeology and Oriental Studies
Country/region of manufacture: Wallasey, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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