Halfway House: A Miscellany of New Poems, Edmund Blunden — 1st Edition
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Publication: London, Cobden-Sanderson, 1932
Formatting: 8vo, pp. [x], 95.
Condition Report: Very Good. Bound in the publisher's original ochre cloth with a printed paper title label to the spine, the binding remains tight and square. It is a highly presentable copy, exhibiting only light shelf-wear to the extremities and a touch of gentle fading to the spine panel, while the paper label remains fully intact and legible. The text block's untrimmed edges are naturally age-toned but clean. Internally, the hinges are sound and the pages remain bright and crisp. There is some light, scattered foxing, primarily confined to the endpapers and preliminary leaves. A neat, contemporary previous ownership signature in ink, dated 'Jan. 1936', is present on the front free endpaper. Overall, a handsome and well-preserved surviving copy.
Catalogue Note: This is the true first trade edition of Edmund Blunden's Halfway House: A Miscellany of New Poems. Issued alongside a highly limited signed buckram edition of just 70 copies, this standard trade issue is distinctively presented in orange-brown cloth with a paper spine label and pleasingly untrimmed, deckled edges. The handsome typography was set and printed by The Shenval Press.
The present copy bears the contemporary ink signature of one Daphne L. Whiteway, dated January 1936, adding a charming touch of pre-war provenance. True first trade editions of this collection have become somewhat uncommon on the open market, and they are particularly scarce when found in such a bright state, having avoided the heavy spine sunning or profound foxing that often afflicts this title.
Blurb: A reflective and poignant collection of verse by the acclaimed English poet, critic, and First World War veteran, Edmund Blunden (1896–1974). Following his harrowing experiences on the Western Front, which he immortalised in his classic prose memoir Undertones of War, Blunden's subsequent poetry often grappled with the profound contrast between the serene beauty of the English countryside and the lingering trauma of conflict. Halfway House captures Blunden during a transitional period of his life, blending his characteristic Georgian pastoralism and deep appreciation for nature with a melancholic awareness of time's passage. The collection demonstrates his formal mastery and restrained, elegiac voice, cementing his reputation as one of the most sensitive and enduring poets of his generation.
Book Condition: Very Good
Book Authors: Edmund Blunden
Book Publisher: Cobden-Sanderson
Book Language: English
Narrative Type: Antiquarian
Genre: Poetry
Book edition: First Edition
Signed: No
Book Pages: 105
Book Publication Year: 1932
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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