Ibbs and Tillett: The Rise and Fall of a Musical Empire, Christopher Fifield
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Publication: Aldershot, Ashgate Publishing Limited, 2005
Formatting: Large 8vo, pp. 724.
Condition Report: Near Fine. This copy presents exceptionally well, featuring a square, tight binding with sharp corners and immaculately clean cream boards. The black spine lettering remains entirely crisp and unrubbed. The text block is firm, and the page edges are exceptionally bright and free from the spotting or dustiness often found in hefty academic volumes of this age. Internally, the pages are uniformly clean, bright, and free from any foxing or conspicuous reading wear. It is housed in a Near Fine, unclipped dust jacket that retains its original gloss and vivid colour, showing only the most trivial, barely perceptible signs of shelf-wear to the extreme upper edges. An altogether handsome, collector-quality copy.
Catalogue Note: This is a true first edition, first printing of Fifield’s exhaustive history of the legendary British concert agency. It is presented in the original primary binding of cream cloth-style boards and features the iconic dust jacket with portraits of Robert Leigh Ibbs and John Tillett.
Because the text was later acquired and reissued by Routledge (who subsequently released it as both a highly expensive academic hardcover and a standard paperback), original 2005 Ashgate hardcovers in such superlative, untouched condition have become increasingly uncommon on the open market. It serves as a vital reference work for those researching the twentieth-century British classical music industry.
For the greater part of the twentieth century, Ibbs and Tillett was to the British classical music profession what Marks & Spencer was to the high street. Founded in 1906, the London-based concert management agency dominated the industry, shaping the careers of legendary artists such as Clara Butt, Sergei Rachmaninov, Myra Hess, Kathleen Ferrier, and Jacqueline du Pré. In this deeply researched and engaging history, Christopher Fifield traces the extraordinary trajectory of the firm from its origins under Narciso Vert to its final demise in 1990. Drawing upon extensive archival material, unpublished memoirs, and artists' correspondence, this book offers a fascinating, behind-the-scenes glimpse into the evolving tastes, triumphs, and daily mechanics of a musical empire.
Book Condition: Near Fine
Book Authors: Christopher Fifield
Book Publisher: Ashgate Publishing Limited
Book Language: English
Narrative Type: Non-Fiction
Genre: Music
Book edition: First Edition
Signed: No
Book Pages: 724
Book Publication Year: 2005
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: Padstow, Cornwall, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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