Italian Pictures of the Renaissance: Venetian School — 1st Edition

Italian Pictures of the Renaissance: Venetian School — 1st Edition

£50.00
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Italian Pictures of the Renaissance: Venetian School — 1st Edition

Italian Pictures of the Renaissance: Venetian School — 1st Edition

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Italian Pictures of the Renaissance: Venetian School, Bernard Berenson — 1st Edition

Publication: London, Phaidon Press, 1957

Formatting: 4to, 2 vols. Vol. I: pp. xiv, 206, plus 628 plates; Vol. II: pp. [vi], 58, plus 705 plates.

Condition Report: Good. Both volumes remain securely bound in their original coarse oatmeal cloth, though the boards display moderate shelf-wear and noticeable old adhesive tape stains to the upper and lower edges. Internally, the text blocks are generally clean with light, age-appropriate toning. Crucially, the title page of Volume I features a significant, albeit neatly repaired, closed tear traversing the upper half of the leaf. Volume II is currently housed in a clear protective mylar wrapper. Despite the title page repair and external tape marks, the set remains a structurally sound, serviceable reference copy.

Catalogue Note: First Edition of Bernard Berenson's definitive mid-century survey of the Venetian School, produced in collaboration with the Samuel H. Kress Foundation.

This comprehensive two-volume set serves as an exhaustive catalogue of the principal artists and their works, standing as a monumental tribute to Berenson's foundational contributions to Renaissance art history. The text is heavily supplemented by 1,333 black-and-white plates across the two volumes, offering an invaluable visual index.

While copies of this standard reference frequently appear on the secondary market, they remain essential acquisitions for art historians, institutional libraries, and collectors of mid-century art scholarship. 

A monumental achievement in art history, Bernard Berenson's Italian Pictures of the Renaissance: Venetian School provides an encyclopaedic catalogue of the era's principal artists and their surviving masterpieces. Published in two volumes and extensively illustrated with over 1,300 plates, this exhaustive reference work remains an essential tool for scholars, offering unparalleled insight into the visual legacy of the Venetian Renaissance.

Book Condition: Good

Book Authors: Bernard Berenson

Book Publisher: Phaidon Press

Book Language: English

Narrative Type: Non-Fiction

Genre: Art & Architecture

Book edition: First Edition

Signed: No

Book Pages: 264

Book Publication Year: 1957

Book Publication Date:

Book Binding: Cloth

Illustrator: N/A

Book Series: Italian Pictures of the Renaissance

Country/region of manufacture: London, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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