Lascelles Abercrombie 1881–1938, Oliver Elton — 1st Edition
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Publication: London, Humphrey Milford, 1939
Formatting: 8vo, pp. [iv], 28.
Condition Report: Very Good. The original buff paper wrappers remain structurally sound and firmly attached, exhibiting only mild edge-wear and slight, natural age-toning to the extremities that one would expect from a delicate pre-war pamphlet. The corners are lightly rubbed but without significant creasing or loss. Internally, the binding is impressively tight, allowing the pamphlet to stand firmly. The text block and pages are remarkably crisp and bright, entirely free from foxing or prominent blemishes. The frontispiece portrait and its delicate tissue guard remain in excellent, uncreased condition, ensuring a highly presentable and well-preserved copy.
Catalogue Note: This copy is a first edition offprint, issued separately from Volume XXV of the Proceedings of the British Academy. It retains its original secondary binding in the form of printed buff paper wrappers, complete with the contemporary publisher's pricing of "2s. 6d. net" on the front cover.
The text is prefaced by a striking, tissue-guarded photographic frontispiece portrait of Abercrombie in a seated pose.
Produced in limited numbers primarily for academic circulation and direct sale, these dedicated author offprints are notably scarce on the open market today, as such ephemeral pamphlets were often lost, discarded, or rebound into larger institutional library collections over the decades.
This illuminating memoir pays tribute to the life, career, and intellectual legacy of Lascelles Abercrombie (1881–1938), the celebrated English poet, literary critic, and prominent member of the Dymock poets. Written by his contemporary, the distinguished scholar Oliver Elton, the essay offers an intimate and rigorous scholarly overview of Abercrombie's journey—from his birth at The Manor House in Ashton-upon-Mersey to his final years as a highly regarded literary figure. Elton deftly analyses Abercrombie's original dramatic poetry and theoretical writings, cementing his enduring significance within early twentieth-century British letters.
Book Condition: Very Good
Book Authors: Oliver Elton
Book Publisher: Humphrey Milford
Book Language: English
Narrative Type: Non-Fiction
Genre: Autobiography, Biography & Memoirs
Book edition: First Edition
Signed: No
Book Pages: 28
Book Publication Year: 1939
Book Publication Date:
Book Binding: Paper Wrappers
Illustrator: N/A
Book Series: Proceedings of the British Academy
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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