Le Tapis (The Rug), Albert Achdjian — 1st Edition

Le Tapis (The Rug), Albert Achdjian — 1st Edition

£60.00
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Le Tapis (The Rug), Albert Achdjian — 1st Edition

Le Tapis (The Rug), Albert Achdjian — 1st Edition

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£60.00

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Publication: Paris, Éditions Self, 1949

Formatting: Folio, pp. 287.

Condition Report: Very Good. The stiff paper-covered boards remain remarkably well-preserved for their size and age, though they do exhibit some expected minor handling wear. There is light surface smudging and faint localised discolouration to the pale covers, alongside trivial rubbing to the extremities and a gentle crease to the upper fore-edge corner of the front panel. The spine remains uncreased and square, contributing to a tight, robust binding. Internally, the book is exceptional: the pages are crisp, bright, and free from any foxing or conspicuous toning, while the double-page map remains perfectly sharp and free from tears or misfolding. An unusually clean, solid copy of a fragile, large-format production.

Catalogue Note: This is the first trade edition, issued simultaneously alongside a highly restricted tirage de tête of just 67 numbered copies printed on pure Crèvecœur rag paper from the Marais mills. While this copy bears the printed limitation statement calling for those 67 copies, the lack of an inscribed number firmly distinguishes it as the standard first printing, a detail frequently misidentified in general commerce.

The book was a landmark publication in its day, written by Albert Achdjian, a preeminent dealer and the founding General Secretary of the Armenian Museum in France, and includes ethnographical notes by the renowned folklorist Arnold van Gennep.

Featuring bilingual text in both French and English, the work is profusely illustrated throughout, offering a foundational overview of carpet weaving across Turkey, Persia, and Arabia, wonderfully visualised by a striking double-page regional map.

Unmarked copies in this condition are increasingly uncommon on the open market, as the soft-bound, oversized nature of the book typically lends itself to heavy wear and structural compromise.

A visually striking and authoritative mid-century study on the art of the oriental rug, authored by one of Europe's foremost textile experts. With bilingual text and rich illustrations, Le Tapis (The Rug) delves into the ethnography, design, and history of carpet-making across the Middle East, serving as both a pioneering scholarly text and a beautiful object of design in its own right.

Book Condition: Very Good

Book Authors: Albert Achdjian

Book Publisher: Éditions Self

Book Language: French and English

Narrative Type: Non-Fiction

Genre: Art & Architecture

Book edition: First Edition

Signed: No

Book Pages: 287

Book Publication Year: 1949

Book Publication Date:

Book Binding: Stiff Wrappers

Illustrator: N/A

Book Series: N/A

Country/region of manufacture: Paris, France

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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