Matrix 29: A Review for Printers & Bibliophiles — 1st Edition

Matrix 29: A Review for Printers & Bibliophiles — 1st Edition

£145.00
Skip to product information
Matrix 29: A Review for Printers & Bibliophiles — 1st Edition

Matrix 29: A Review for Printers & Bibliophiles — 1st Edition

Write Review

In stock

£145.00

Shipping is calculated at checkout.

Matrix 29: A Review for Printers & Bibliophiles, Edited by John and Rosalind Randle — First Edition

Publication: Risbury, Herefordshire, The Whittington Press, 2010

Formatting: 4to, pp. [vi], 118.

Condition Report: Fine. An immaculate, highly attractive example of this finely printed typographic review. It is tightly bound in its original stiff card covers with an entirely square, uncreased spine that shows no lean, indicating it has seen little to no use. The beautifully designed dust jacket remains crisp and pristine, safely protected within a clear sleeve, displaying no discernible edge-wear, rubbing, or fading to its intricate typographic wrapper design. Internally, the mould-made paper pages are exceptionally bright and clean, completely devoid of foxing, thumbing, or any previous ownership inscriptions. The numerous tipped-in typographic specimens, marbled papers, and photographic plates are meticulously preserved, unfurled, and sharply intact, maintaining the exacting structural integrity of the publisher's original artisanal production.

Catalogue Note: This exquisite publication was strictly limited to an edition of 725 copies, with this specific example being one of the 655 copies bound in stiff card covers featuring a striking black block print. Renowned for its unparalleled production quality, the volume is set in an impressive array of historic typefaces, including Van Dijck, Walbaum, Univers Light, Joanna, Poltawski, Gill Sans, Bell, and Caslon types, all meticulously printed at Whittington on Somerville Laid and Zerkall mould-made papers.

The book is extensively illustrated and features a remarkable portfolio of tipped-in material, folded plates, and typographic facsimiles that showcase the pinnacle of letterpress printing and book arts. Matrix has become legendary among bibliophiles and printing historians; consequently, copies of the journal, particularly in such well-preserved condition with all inserts present (including the loosely inserted press prospectus and the tipped-in Ambassade de France facsimile letter), are highly sought after and scarce on the open market.

Matrix 29 continues the Whittington Press's celebrated tradition of producing one of the most magnificent and authoritative journals dedicated to the fine arts of printing, typography, and papermaking. This vibrant summer issue presents a wealth of scholarly and engaging articles spanning diverse typographic histories, from the revolutionary fervour of Italian Futurist typography and a retrospective on David Godine’s letterpress years, to intimate accounts of the Stinehour Press and French papermakers. Sumptuously produced with a tactile blend of hot-metal typesetting, wood engravings, and meticulously tipped-in specimens, it is an essential and visually intoxicating reference work for any serious collector of the book arts.

Book Condition: Fine

Book Authors: John and Rosalind Randle

Book Publisher: The Whittington Press

Book Language: English

Narrative Type: Non-Fiction

Genre: Art & Architecture

Book edition: First Edition

Signed: No

Book Pages: 118

Book Publication Year: 2010

Book Publication Date:

Book Binding: Softcover (Stiff Wrappers)

Illustrator: Various

Book Series: Matrix

Country/region of manufacture: Risbury, Herefordshire, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

Get in touch

We'd love to hear from you. Fill out the form below and we'll get back to you as soon as possible.

You may also like

Join the Broadhurst Archive

Be the first to hear about rare new arrivals, signed editions, and literary events. A century of stories delivered straight to your inbox.