New Poems, Robert Browning and Elizabeth Barrett Browning — 1st Ed
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Publication: London, Smith, Elder, & Co., 1914
Formatting: 8vo, pp. xxix, 184.
Condition Report: Good condition. The original olive-green cloth binding remains robust and structurally sound, though it exhibits expected shelf-wear commensurate with its age. This includes minor bumping and rubbing to the spine ends, some light scuffing along the joints, and subtle darkening to the spine panel that slightly dulls the gilt lettering and floral tooling. Internally, the binding is tight with firm hinges. The preliminary leaves, including the margins around the portrait frontispiece, show moderate, scattered foxing, which is typical for the paper stock of this era. This spotting diminishes notably as one moves into the main text block, leaving the majority of the pages fairly clean. The page edges are untrimmed, retaining their original rough-cut aesthetic, with mild age-toning and top-edge dust-soiling.
Catalogue Note: This is the first edition thus, published by Smith, Elder, & Co. in 1914. It was carefully edited by the prominent scholar Sir Frederic G. Kenyon to present a definitive compilation of previously uncollected and unpublished poetry by the Brownings. The volume is notably illustrated with two portrait frontispieces, including an 1855 daguerreotype of Robert Browning, both of which retain their original tissue guards. Bibliographically significant, this edition is frequently referenced in Thomas J. Wise’s authoritative bibliography of the Brownings (recorded as Wise 33). While the book is occasionally found on the open market, it is becoming increasingly uncommon to secure a copy in its original, untampered publisher’s binding without severe structural degradation or heavy spine fading.
A captivating posthumous collection, New Poems brings to light a selection of rare verses by two of the Victorian era's most celebrated literary figures. Assembled and edited by Sir Frederic G. Kenyon, this volume offers readers an intimate glimpse into the creative processes and lesser-known works of Robert and Elizabeth Barrett Browning. From personal sonnets to fragmented dramatic monologues, this 1914 collection stands as an essential companion to their primary works, deeply enriching the legacy of their legendary literary partnership.
Book Condition: Good
Book Authors: Robert Browning, Elizabeth Barrett Browning
Book Publisher: Smith, Elder, & Co.
Book Language: English
Narrative Type: Antiquarian
Genre: Poetry
Book edition: First Edition
Signed: No
Book Pages:
Book Publication Year: 1914
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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