Old Manor Houses, Cecil Aldin — 1st Edition
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Publication: London, William Heinemann, Ltd., 1923
Formatting: 4to, pp. [viii], 108.
Condition Report: Good. The original publisher's woven grey cloth binding remains sound but exhibits moderate wear, with bumping and minor fraying visible to the spine ends and board corners. The cloth is somewhat rubbed and age-toned, though the gilt and blue lettering to the front board and spine remains reasonably bright and legible. The text block features untrimmed edges which are appropriately age-tanned. Internally, the book suffers from heavy, conspicuous foxing to the preliminary leaves, most notably on the front blank which bears a contemporary ink gift inscription dated December 1923. This spotting extends intermittently throughout the text block, primarily affecting the margins. The hinges appear secure and the binding is tight, with the illustrated landscape endpapers remaining vibrant despite the surrounding foxing. The colour plates, each accompanied by a guard sheet with descriptive letterpress, are largely unaffected and remain vivid.
Catalogue Note: First edition, published in 1923. Cecil Aldin, celebrated primarily for his sporting illustrations, demonstrates his deep appreciation for regional topography in this beautifully produced volume exploring historic English architecture. The work is notable for its vibrant colour plates and charming line illustrations that capture the character of notable domestic estates such as Moreton Old Hall and Stokesay Castle.
This copy features a contemporary gift inscription dated December 1923 to a preliminary blank, denoting a Christmas presentation shortly following publication. While not particularly scarce on the current market, it remains a highly desirable example of early twentieth-century illustration and architectural nostalgia.
In Old Manor Houses, renowned illustrator Cecil Aldin turns his discerning eye away from his usual sporting subjects to document the fading grandeur of England's historic estates. Through a series of evocative colour plates and detailed line drawings, Aldin conducts a visual tour of iconic residences, from the striking timber-framing of Cheshire's Moreton Old Hall to the stone battlements of Shropshire's Stokesay Castle. Complemented by his own historical commentary, the book serves as a charming and nostalgic record of British architectural heritage.
Book Condition: Good
Book Authors: Cecil Aldin
Book Publisher: William Heinemann, Ltd.
Book Language: English
Narrative Type: Non-Fiction
Genre: Art & Architecture
Book edition: First Edition
Signed: No
Book Pages: 108
Book Publication Year: 1923
Book Publication Date:
Book Binding: Hardcover
Illustrator: Cecil Aldin
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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