Poems, William Mason, M.A. — 1st Edition
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Publication: London, Robert Horsfield, 1764
Formatting: 8vo, pp. [iv], 318.
Condition Report: Very Good. Bound in contemporary full calf, the spine features five raised bands forming six compartments, with the panels ornately decorated in gilt foliate tooling. The binding remains remarkably sturdy and firm with intact hinges and joints, avoiding the cracking often seen in volumes of this era. There is some expected mild rubbing, scuffing, and a few superficial scratches to the leather boards, alongside slight wear and minor chipping to the spine extremities and corners, yet the gilt remains relatively bright. The edges of the boards and inner turn-ins feature a decorative gilt roll. Internally, the pages are crisp, bright, and pleasingly clean, showing only minimal scattered foxing and light offsetting from the engraved title vignette to the opposing blank leaf. A wonderfully well-preserved and handsome eighteenth-century volume.
Catalogue Note: First collected edition. A beautifully presented compilation of works by William Mason (1725–1797), a poet, clergyman, and close confidant of Thomas Gray and Horace Walpole. This edition brings together Mason's key poetic and dramatic works, which cemented his reputation as a man of profound literary taste among Georgian high society.
The volume is distinguished by a handsome engraved title page vignette by James Basire, based on a design by Samuel Wale, depicting a classical composition of a bust, lyre, palette, and beehive, bearing the motto 'Vitam quæ faciant beatiorem'. The dedication leaf to Robert, Earl of Holdernesse, whom Mason served as chaplain, is also adorned with a finely engraved armorial coat of arms.
This copy bears a neat contemporary ownership inscription dated 1764 to the front free endpaper. While early editions of Mason's individual works are reasonably common, complete and soundly bound 1764 collected editions in contemporary calf, especially those with uncracked joints, are becoming increasingly difficult to source on the open market.
A classic work of mid-eighteenth-century English poetry, this volume gathers the elegant verses and dramatic works of William Mason, one of the period's most well-connected literary figures. Influenced heavily by his close friend Thomas Gray, Mason's poems reflect the transitional bridge between neoclassical formalism and the emerging romantic sensibility. Featuring evocative elegies, striking odes, and ambitious historical dramas such as Elfrida and Caractacus, this handsome 1764 edition offers a wonderful window into the literary tastes of Georgian England.
Book Condition: Very Good
Book Authors: William Mason
Book Publisher: Robert Horsfield
Book Language: English
Narrative Type: Antiquarian
Genre: Poetry
Book edition: First Edition
Signed: No
Book Pages: 318
Book Publication Year: 1764
Book Publication Date:
Book Binding: Hardcover (Full Calf)
Illustrator: Samuel Wale & James Basire
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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