Portrait Drawings, Peter Scott — 1st Edition, Signed
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Publication: London, Country Life Limited, 1949
Formatting: 4to, pp. [viii], 40 plates.
Condition Report: Very Good. The oatmeal buckram boards remain firm and remarkably clean, with the red blocked lettering to the front board and spine remaining unoxidised and sharp, justifying the strong grade for the binding. While there is mild bumping to the corners and slight softening at the spine ends, the book block remains entirely tight and square. Internally, the pages are bright and free from significant foxing, with the half-title page bearing the author's signature in bold ink without smudging. The dust jacket is graded Good; it is unclipped and largely complete but displays notable edge-wear, with chipping, creasing, and minor loss at the spine extremities and corners. Despite these flaws, the jacket remains highly presentable and is now preserved in a removable Mylar sleeve.
Catalogue Note: This first edition of Peter Scott’s Portrait Drawings features the signature of the author and illustrator located centrally on the half-title page.
Scott, primarily celebrated for his wildlife artwork and conservation efforts, diverged from his usual subjects to compile this uncommon collection of portraiture. The volume contains reproduced plates of his friends, family, and distinguished contemporaries, offering a unique glimpse into his versatility as an artist.
Signed first editions of this title retaining their original dust jacket are scarce on the open market, making this an appealing acquisition for collectors of Scott’s wider oeuvre.
A departure from his celebrated wildlife panoramas, Portrait Drawings showcases Sir Peter Scott’s keen eye for human character. This collection brings together exquisite portraits, capturing the likenesses of distinguished contemporaries, close friends, and comrades in arms during the Second World War. Rendered with the same precision and sensitivity that define his natural history illustrations, these pencil drawings offer an intimate, behind-the-scenes look at the social and personal spheres of one of Britain’s most beloved twentieth-century naturalists.
Book Condition: Very Good
Book Authors: Peter Scott
Book Publisher: Country Life Limited
Book Language: English
Narrative Type: Non-Fiction
Genre: Art & Architecture
Book edition: First Edition
Signed: Yes
Book Pages:
Book Publication Year: 1949
Book Publication Date:
Book Binding: Hardcover
Illustrator: Peter Scott
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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