Shakespeare and the Goddess of Complete Being, Ted Hughes — 1st Edition
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Publication: London, Faber and Faber, 1992
Formatting: 8vo, pp. xv, 517.
Condition Report: Near Fine. The navy cloth binding is remarkably tight and square, completely free of edge rubbing, with the gilt tooling on the spine remaining striking and unoxidised. The text block is firm and clean, showing only the most negligible dust-dulling to the top edge, while the pages within are crisp, bright, and free of foxing or internal markings. The original dust jacket is exceptionally sharp, unclipped, and exhibits only the faintest signs of shelf-wear along the top extremities, retaining its vibrant gloss without any fading or tears. Overall, it is a highly presentable and well-preserved copy.
Catalogue Note: This is a true first edition, first printing of Hughes’s extensive critical work. The title page features a striking woodcut decoration based on the illustration found in the first edition of Shakespeare's Venus and Adonis.
Copies preserving this level of crispness, particularly without heavy sun-fading to the dust jacket or prominent reading wear to the heavy text block, remain highly desirable for collectors of Hughes’s prose.
In this critical magnum opus, Ted Hughes approaches the Complete Works of Shakespeare not merely as a collection of disparate plays, but as a single, evolving organism. Hughes argues that the two major religious myths of the archaic world, explored by Shakespeare in his early narrative poems Venus and Adonis and The Rape of Lucrece, provided the foundational template for every subsequent play he wrote. Bringing a poet's erudition to a formidable scholar's task, Hughes maps out the complex, interlocking mythologies that fueled Shakespeare's creative imagination, offering a radical and dazzling reinterpretation of his art.
Book Condition: Near Fine
Book Authors: Ted Hughes
Book Publisher: Faber and Faber
Book Language: English
Narrative Type: Non-Fiction
Genre: Criticism & Essays
Book edition: First Edition
Signed: No
Book Pages: 532
Book Publication Year: 1992
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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