Sunday, Georges Simenon — 1st UK Edition
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Publication: London, Hamish Hamilton, 1960
Formatting: 8vo, pp. 191, [1].
Condition Report: Near Fine. This copy is securely bound in its original vibrant red cloth, with the spine's gilt typography remaining exceptionally bright and unrubbed. The boards are sharp and show no significant shelf-wear or bumping. The text block is tight and square; internally, the pages are crisp and clean, with only a very mild, uniform age-toning to the page edges, typical of the paper stock used during this period. The original unclipped dust jacket remains excellent; the black and green cover design is wonderfully preserved, retaining its striking visual impact. There is some minor age-toning, most noticeable to the white background of the rear panel and slightly along the spine, along with a hint of superficial rubbing to the extremities, but it remains a highly attractive, fully intact example of a scarce wrapper.
Catalogue Note: This is the first UK edition and first English translation of Simenon's psychological thriller, originally published in France as Dimanche the previous year. The translation into English was expertly handled by Nigel Ryan. The striking dust jacket was designed by P. Youngman Carter, an artist and author well-regarded in the mid-century mystery genre. The copyright page confirms its status as the first British printing by Hamish Hamilton in 1960. While standard copies of Simenon's UK editions are not exceptionally rare, finding early 1960s Hamish Hamilton printings with their wrappers in such bright, unsunned condition is becoming increasingly uncommon on the open market.
In this masterful psychological thriller, Georges Simenon departs from his famous Inspector Maigret series to deliver a standalone tale of quiet, mounting terror. The story centres on Emile, a disgruntled and calculating chef at a provincial hotel in the South of France, who methodically plots the murder of his domineering wife, Berthe. As Sunday approaches, the day chosen for his macabre act, the narrative unfurls with Simenon’s signature blend of suffocating tension, nuanced character study, and devastating irony. A compelling, dark exploration of domestic entrapment and the most sinister corners of the human mind.
Book Condition: Near Fine
Book Authors: Georges Simenon
Book Publisher: Hamish Hamilton
Book Language: English
Narrative Type: Fiction
Genre: Crime & Mystery
Book edition: First Edition
Signed: No
Book Pages: 192
Book Publication Year: 1960
Book Publication Date:
Book Binding: Hardcover
Illustrator: P. Youngman Carter
Book Series: N/A
Country/region of manufacture: Aylesbury and Slough, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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