The Art of Classical Chinese Flower Arrangement — 1st Edition
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The Art of Classical Chinese Flower Arrangement, The Women's Garden and Art Club of the Republic of China — 1st Edition
Publication: Taipei, Council for Cultural Planning and Development, Executive Yuan, 1986
Formatting: 8vo, pp. N/A.
Condition Report: Near Fine. The book is bound in its original illustrated card wrappers, which remain remarkably clean and vivid. The binding is completely solid, presenting a square and uncreased spine that shows only the faintest suggestion of shelf-wear at the extreme head and tail. Both the front and rear panels retain excellent brightness with no fading, scuffing, or significant edge-wear. Internally, the text block is superb; the pages are crisp, uniformly bright, and entirely free from foxing, tearing, or marginalia. A wonderfully preserved, tightly bound copy of this delicate softcover.
Catalogue Note: First edition. This English-language translation of Huang Yung-chuan's authoritative text was produced by Thomas McHugh and published in Taipei.
The volume offers an extensive scholarly overview of classical Chinese floral design throughout various dynasties, generously accompanied by photographic and artistic illustrations.
Given its highly specialised subject matter and regional publication by the Executive Yuan, this specific 1986 English edition is scarce on the open Western market, especially in such sharply preserved condition.
The Art of Classical Chinese Flower Arrangement offers an elegant and meticulously researched exploration of the history, philosophy, and aesthetic principles defining traditional Chinese floral design. Tracing the evolution of the art form across multiple dynasties, including the Tang, Sung, Ming, and Ching, the text delves into the cultural and spiritual significance of various floral styles, from grand Palace arrangements to the more austere Literati expressions. An essential and visually captivating reference, this volume brilliantly illuminates the profound historical connection between nature and classical Chinese artistic culture.
Book Condition: Near Fine
Book Authors: The Women's Garden and Art Club of the Republic of China; Huang Yung-chuan
Book Publisher: Council for Cultural Planning and Development, Executive Yuan
Book Language: English
Narrative Type: Non-Fiction
Genre: Art & Architecture
Book edition: First Edition
Signed: No
Book Pages:
Book Publication Year: 1986
Book Publication Date:
Book Binding: Softcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: Taipei, Taiwan
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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