The Butterfly No. 1  — 1st Edition

The Butterfly No. 1 — 1st Edition

£55.00
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The Butterfly No. 1  — 1st Edition

The Butterfly No. 1 — 1st Edition

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£55.00

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Publication: London, Grant Richards, 1899

Formatting: Large 8vo, unpaginated.

Condition Report: Near Fine. Recently rebound in smart, unadorned maroon cloth with gilt titling to the spine. The boards remain exceptionally clean and sharp, completely free from shelf-wear, while the binding itself is tight, square, and structurally immaculate. Internally, the volume retains its original front pictorial wrapper, though it lacks the original rear wrapper (a standard occurrence when periodical issues are bound into cloth). The text block is robust; the leaves are gently toned, as is standard for the paper stock of this era, but remain crisp and clean, with only occasional minor spotting and attractive untrimmed edges. A highly presentable, sturdy copy. 

Catalogue Note: First edition thus. This volume comprises the inaugural issue (March 1899) of the relaunched second series of The Butterfly, a short-lived but highly regarded literary and artistic periodical. Originally created by Walter Haddon in 1893, this new iteration was published by Grant Richards for The Butterfly Press.

This particular copy has been sympathetically rebound in modern cloth for preservation, smartly retaining the striking original front wrapper.

The magazine was a notable showcase for the fin-de-siècle avant-garde, and while complete sets in their fragile original wrappers command significant premiums on the open market, sturdy individual issues such as this present an accessible entry point for collectors of 1890s periodical literature. 

The Butterfly (1899–1900) was a pivotal, though fleeting, literary and artistic magazine of the late nineteenth century. Encapsulating the spirit of the 1890s, the periodical offered a sophisticated blend of progressive literature, poetry, and striking black-and-white illustrations. It provided an important platform for both established and emerging figures of the era, brilliantly reflecting the shifting tastes and burgeoning modernist sensibilities at the turn of the century.

Book Condition: Near Fine

Book Authors: N/A

Book Publisher: Grant Richards

Book Language: English

Narrative Type: Antiquarian

Genre: Anthologies & Short Stories

Book edition: First Edition

Signed: No

Book Pages:

Book Publication Year: 1899

Book Publication Date:

Book Binding: Hardcover

Illustrator: N/A

Book Series: The Butterfly

Country/region of manufacture: London, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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