The Honey Moon: A Comedy, in Five Acts, John Tobin — Cumberland's British Theatre Ed
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Publication: London, G.H. Davidson, c. 1850
Formatting: 12mo, pp. [iv], 64.
Condition Report: Very Good. This slim volume remains remarkably tight and structurally sound for a delicate mid-nineteenth-century acting edition. The publisher's red wrapper binding displays some light rubbing and mild surface wear to the extremities, though the colour remains vibrantly unfaded and the printed cover text is entirely legible. The spine is secure with no significant splitting or loss, maintaining excellent tension. Internally, the pages exhibit some expected age-related toning, primarily confined to the margins, with only a few negligible spots of foxing. The binding holds firm throughout, and the frontispiece engraving is crisp and bright. An ownership signature to the front free endpaper serves as the only notable marking, leaving the text-block otherwise clean, supple, and highly readable.
Catalogue Note: A classic example of nineteenth-century theatrical ephemera, this copy of The Honey Moon was issued as No. 89 in the renowned Cumberland's British Theatre series. While the series was initially launched by John Cumberland in 1826, the publishing rights and printing plates were subsequently acquired by G.H. Davidson, who reissued these acting editions from his Peter's Hill address in the mid-nineteenth century. This edition is complete with the critical remarks by "D.-G." (the pseudonymous theatre critic George Daniel) and is embellished with a striking wood-engraved frontispiece by G.W. Bonner, taken from a theatrical sketch by the celebrated illustrator Robert Cruikshank.
The provenance includes an early ink signature to the front free endpaper, establishing a factual record of previous ownership without detracting from the book's presentation. Though the Cumberland and Davidson acting editions were printed in large numbers for theatregoers and amateur dramatic societies, surviving copies in their original, fragile wrapper bindings—particularly those as bright and well-preserved as this—are becoming increasingly scarce on the open market.
First performed at the Theatre Royal, Drury Lane in 1805, John Tobin's The Honey Moon was an immense posthumous success for the playwright, who tragically died mere months before it reached the stage. Heavily inspired by Shakespeare's The Taming of the Shrew, the play follows the tempestuous newlywed Duke Aranza and his prideful wife Juliana. Instead of bringing her to a lavish palace, Aranza takes Juliana to a humble cottage to cure her of her haughtiness. A delightful mix of mistaken identities, romantic trials, and clever wordplay, this classic comedy remained a staple of the British and American theatrical repertoire well into the late nineteenth century.
Book Condition: Very Good
Book Authors: John Tobin
Book Publisher: G.H. Davidson
Book Language: English
Narrative Type: Fiction
Genre: Humour Fiction
Book edition:
Signed: No
Book Pages: 64
Book Publication Year: 1850
Book Publication Date:
Book Binding: Hardcover (Cloth-Backed Wrappers)
Illustrator: Robert Cruikshank
Book Series: Cumberland's British Theatre
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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