The Liberated Page, Herbert Spencer (Ed.) — 1st Edition
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Publication: London, Lund Humphries, 1987
Formatting: 4to, pp. 208.
Condition Report: Good. The book remains tightly bound and squarely set within its original boards, presenting as a robust and entirely serviceable ex-library copy. The red dust jacket retains much of its original brightness but exhibits general shelf-wear, including light surface rubbing, minor creasing to the upper edges, and a library classification sticker firmly affixed to the lower spine. Internally, the text block is bright, clean, and free from pervasive foxing or handling marks. The condition is primarily dictated by its institutional provenance: the front blue endpaper bears a clear 'Withdrawn From Stock' ink stamp alongside a small patch of surface paper loss where a label was removed, while a secondary 'Southport College Library' accession stamp is prominently present on the copyright page.
Catalogue Note: This is a true first edition hardcover presentation of Herbert Spencer's significant typographical anthology. Heavily illustrated throughout, the volume serves as a vital visual record of twentieth-century avant-garde graphic design and typographic experimentation.
The book carries established institutional provenance, having formally resided within the Southport College Library collection. It bears the expected library markings, including definitive withdrawal stamps, confirming its properly deaccessioned status.
While the American softcover variants (published by Bedford Press) appear with some frequency on the secondary market, the original British hardcover printings, especially those retaining their original dust jackets, are notably scarcer and remain highly desirable reference pieces for collectors of print history.
An essential resource for graphic designers and print historians, The Liberated Page gathers seventeen of the most groundbreaking articles published in the 'New Series' of Typographica magazine between 1960 and 1967. Edited by the magazine's visionary founder, Herbert Spencer, this anthology charts the radical evolution of twentieth-century typography, exploring the avant-garde experiments that fractured traditional text and reshaped visual communication. Featuring in-depth profiles on pioneers such as Kurt Schwitters, Piet Zwart, and Alexander Rodchenko, the book provides a masterclass in the intersection of language, art, and layout.
Book Condition: Good
Book Authors: Herbert Spencer (Ed.)
Book Publisher: Lund Humphries
Book Language: English
Narrative Type: Non-Fiction
Genre: Education
Book edition: First Edition
Signed: No
Book Pages: 208
Book Publication Year: 1987
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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