The Money Moon: A Romance, Jeffery Farnol — Presentation Edition
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Publication: London, Sampson Low, Marston & Co. Ltd., [1914]
Formatting: 4to, pp. viii, 9–350.
Condition Report Good. The original green cloth binding remains structurally sound and reasonably tight, though it exhibits moderate shelf-wear, including bumping to the corners and rubbing along the extremities. The spine is somewhat sunned, with softening and minor fraying beginning at the head and tail, yet the gilt lettering and decorative motifs remain legible. The striking pictorial upper board, featuring the central portrait roundel and vibrant 'Moon' tooling, retains much of its original charm despite the gilt being slightly dulled. Internally, the text block is securely bound, but there is prominent, heavy foxing scattered throughout, most noticeable on the preliminary pages, endpapers, and the untrimmed, deckled fore-edges. The twenty-three colour plates by Edmund Blampied, including the frontispiece and title vignette, remain present and generally bright, protected by their original tissue guards, though some surrounding pages are affected by the aforementioned foxing. The volume is wrapped in a clear, removable protective sleeve.
Catalogue Note This Presentation Edition of Jeffery Farnol’s popular romance represents the first iteration to feature the beautiful and extensive colour illustrations by the acclaimed Channel Islands artist Edmund Blampied. Issued in the highly desirable "Moon binding," available at the time in crimson, green, or blue cloth, this being the attractive green variant, the edition boasts twenty-three full-page colour reproductions that perfectly capture the fragrant, idyllic nature of Farnol's Edwardian narrative.
Unsigned, un-inscribed copies of this true first illustrated presentation edition are somewhat uncommon on the open market, particularly in the original decorative cloth without modern rebinding. While this copy lacks the rare original dust jacket, the intricate board design remains a lovely example of early twentieth-century trade binding.
A delightful, sweeping Edwardian romance, The Money Moon follows the adventures of the wealthy and somewhat aimless American, George Bellew. Seeking solace and distraction from a broken heart, George sets out on a walking tour across the idyllic, sun-dappled countryside of Kent. Along the way, he encounters a cast of eccentric characters, most notably the spirited Anthea Devine, who is struggling to save her family's farm from financial ruin. Determined to help without revealing his wealth, George secretly orchestrates a series of events to provide the "money moon" needed to rescue the estate, leading to a charming tale of mistaken identity, bucolic escapades, and inevitable romance.
Book Condition: Good
Book Authors: Jeffery Farnol
Book Publisher: Sampson Low, Marston & Co. Ltd.
Book Language: English
Narrative Type: Fiction
Genre: Romance
Book edition: First Edition
Signed: No
Book Pages: 350
Book Publication Year: 1914
Book Publication Date:
Book Binding: Cloth
Illustrator: Edmund Blampied
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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