The PL Yearbook of Jazz 1946, Albert McCarthy (Editor) — 1st Edition
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Publication: London, Editions Poetry London / Nicholson and Watson, 1946
Formatting: 8vo, pp. 188.
Condition Report: Very Good. The original cloth-backed binding remains mechanically sound and firm, exhibiting only mild shelf-wear and slight bumping to the extremities. The page block shows a typical, even degree of age-toning, but the interior pages present cleanly without major foxing or extraneous markings, remaining highly legible and structurally tight throughout. It is housed in a unclipped original dust-wrapper, which shows some light rubbing, slight fading, and minor chipping to the spine ends and corners, alongside a touch of general surface soiling consistent with its age. Despite these minor flaws, it remains a highly presentable and complete example.
Catalogue Note: First edition. This volume represents a rather scarce survival on the open market when complete with its original dust-wrapper.
Notably, the book was issued by PL (Editions Poetry London), an influential imprint far more commonly associated with the mid-century avant-garde and poetry, founded by Tambimuttu. The lower panel of the dust-wrapper proudly lists the seminal authors and artists they represented, including Dylan Thomas, Henry Miller, and Henry Moore. This creates a fascinating cross-cultural bridge between modern British literature and the post-war jazz movement. The text is additionally supplemented by numerous black-and-white photographic illustrations.
A fascinating time-capsule of post-war British jazz appreciation, The PL Yearbook of Jazz 1946 brings together a diverse collection of essays, reviews, and cultural criticism documenting the contemporary music scene. Featuring contributions from a variety of respected critics and musicians, the volume offers a transatlantic perspective on the development of jazz and blues during a transformative era. It stands as a vital and highly collectable resource for understanding the cultural reception and evolution of jazz in 1940s Britain.
Book Condition: Very Good
Book Authors: Albert McCarthy (Editor)
Book Publisher: Editions Poetry London / Nicholson and Watson
Book Language: English
Narrative Type: Non-Fiction
Genre: Music
Book edition: First Edition
Signed: No
Book Pages: 188
Book Publication Year: 1946
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: N/A
Country/region of manufacture: Bournemouth, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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