The Poets and the Poetry of the Century: Alfred H. Miles (Ed.) — 1st Edition
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Publication: London, Hutchinson & Co., 1892
Formatting: 8vo, pp. 714.
Condition Report: Good. The original green gilt-blocked cloth boards remain well-preserved, exhibiting only mild rubbing to the extremities and slight bumping to the spine ends, which is typical for a volume of this age. The gilt lettering on the spine and front board retains a pleasing brightness, unoxidised and entirely legible. The textblock is tightly bound; however, the untrimmed edges are significantly darkened and heavily toned, bearing consistent dust-soiling. Internally, there is pronounced browning and offsetting to the front pastedown and free endpapers, likely resulting from poor-quality acidic paper or a previous dust-wrapper. Scattered foxing is evident throughout the preliminary leaves, most notably marring the half-title and title page, though the central text remains crisp, legible, and largely unmarked.
Catalogue Note: This volume represents the eighth instalment in the ambitious encyclopedic anthology of nineteenth-century verse. Most critically for collectors, this specific volume features the first appearance in a book of the poetry of Gerard Manley Hopkins. Following Hopkins's death, his friend and literary executor Robert Bridges cautiously introduced his groundbreaking work to the public, contributing a brief biographical notice and selecting his poems for inclusion here,decades before the landmark 1918 posthumous collection.
The provenance includes an attractive, bespoke woodcut bookplate belonging to Walter Hirst affixed to the front pastedown. Alongside this is a contemporary ownership signature from "Stanley Weall" dated "Sept. 1893," providing a firm timeline for its early acquisition. While complete sets of the ten-volume trade edition occasionally appear on the open market, this particular volume remains individually sought-after due to the seminal Hopkins inclusions, making it distinctly more desirable than its companion volumes.
An essential cornerstone for any serious collector of Victorian verse, this anthology captures the shifting poetic landscape of the late nineteenth century. Most revered as the quiet, inaugural debut of Gerard Manley Hopkins’s radically innovative poetry, it was meticulously curated by his closest confidant, Robert Bridges. This handsome, gilt-stamped volume offers a fascinating snapshot of literary history, preserving the very moment when one of the English language's most extraordinary poetic voices was first introduced to the world
Book Condition: Good
Book Authors: Alfred H. Miles (Editor), Robert Bridges, Gerard Manley Hopkins, et al.
Book Publisher: Hutchinson & Co
Book Language: English
Narrative Type: Antiquarian
Genre: Poetry
Book edition: First Edition
Signed: No
Book Pages: 714
Book Publication Year: 1892
Book Publication Date:
Book Binding: Hardcover (Cloth)
Illustrator: N/A
Book Series: The Poets and the Poetry of the Century (Volume 8)
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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