The Variations of Johannes Brahms, Julian Littlewood

The Variations of Johannes Brahms, Julian Littlewood

£28.00
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The Variations of Johannes Brahms, Julian Littlewood

The Variations of Johannes Brahms, Julian Littlewood

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£28.00

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Publication: London, Plumbago Books, 2006.

Formatting: 8vo, pp. xiii, 369.

Condition Report: Very Good. The volume presents very well in its original glossy green wrappers. The binding is tight and square, with an uncreased spine suggesting it has remained largely unread. Externally, there is a minor crease to the top left corner of the rear wrapper alongside trivial rubbing to the lower extremities. Internally, the text block is exceptionally clean, bright, and completely free of foxing, thumbing, or any structural weakness, firmly justifying its strong grade.

Catalogue Note: This is a 2006 reprint of the original 2004 edition, published in association with King's College London to commemorate its 175th anniversary. Edited by Christopher Wintle and featuring an introduction by Alexander Goehr, it was issued as part of the 'Poetics of Music' series.

While softcover academic monographs of this highly specialised nature were printed in relatively small runs, this specific title remains scarce on the open market, particularly in such a well-preserved, unmarked state.

The Variations of Johannes Brahms offers an expansive and deeply analytical survey of Brahms’s variation sets, framing them as a microcosm of the composer's entire creative output. Author Julian Littlewood explores the tension between variation form and broader musical principles, guiding readers through themes of generic reference, textural control, and cyclical form. Aimed at performers, composers, and scholars alike, this comprehensive study unveils the technical mastery and poetic introspection that defined Brahms's approach to composition.

Book Condition: Very Good

Book Authors: Julian Littlewood

Book Publisher: Plumbago Books

Book Language: English

Narrative Type: Non-Fiction

Genre: Music

Book edition:

Signed: No

Book Pages: 382

Book Publication Year: 2006

Book Publication Date:

Book Binding: Paperback

Illustrator: N/A

Book Series: Poetics of Music

Country/region of manufacture: Chippenham, Wiltshire, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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