Toilers in Art, Edited by Henry C. Ewart — 1st Edition

Toilers in Art, Edited by Henry C. Ewart — 1st Edition

£39.99
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Toilers in Art, Edited by Henry C. Ewart — 1st Edition

Toilers in Art, Edited by Henry C. Ewart — 1st Edition

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£39.99

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Publication: London, Isbister & Company, Limited, [1891]

Formatting: 8vo, pp. [viii], 378.

Condition Report Very Good. The publisher's original decorative green cloth remains structurally sound, with the elaborate gilt and black pictorial stamping on the upper board surviving in a notably bright, unoxidised state. The extremities exhibit moderate rubbing and bumping, most noticeably at the head and tail of the spine, which exhibit minor fraying to the cloth. The rear board shows mild surface soiling and a small bump to the lower corner, though this does not detract significantly from the volume's shelf presence. Internally, the text block is square and pleasingly tight, with the original all-edges-gilt remaining vibrant despite superficial scratching commensurate with age. The pages themselves are crisp and predominantly clean, presenting only very occasional, faint spots of foxing, primarily restricted to the margins. A well-preserved copy of a highly decorative binding.

Catalogue Note This is a bright first edition of Toilers in Art, published circa 1891 as part of "Isbisters' Home Library," a publisher's series denoted by the circular stamped emblem on the rear board. The volume is profusely illustrated with ninety inset wood engravings and full-page plates, complementing the biographical sketches of leading nineteenth-century artists.

While copies of this work do occasionally surface, encountering one that retains such striking clarity in its gilt and pictorial tooling is uncommon, as the green cloth bindings of this era are frequently found heavily soiled, rubbed, or with severely compromised hinges.

A fascinating window into the nineteenth-century artistic milieu, Toilers in Art offers an illuminating collection of biographical essays profiling some of the era's most celebrated creatives and illustrators. Edited by Henry C. Ewart, the volume explores the lives, trials, and triumphs of artistic luminaries such as John Tenniel, Thomas Bewick, and Josef Israels. Profusely enhanced with ninety engravings, this work serves not only as a testament to the dedication of these visual craftsmen but also as a charming artifact of Victorian publishing in its own right.

Book Condition: Very Good

Book Authors: Henry C. Ewart

Book Publisher: Isbister & Company, Limited

Book Language: English

Narrative Type: Non-Fiction

Genre: Autobiography, Biography & Memoirs

Book edition: First Edition

Signed: No

Book Pages: 378

Book Publication Year: 1891

Book Publication Date:

Book Binding: Hardcover

Illustrator: Multiple

Book Series: Isbisters' Home Library

Country/region of manufacture: London, United Kingdom

Book Dimensions:

Book Condition Guide

We stock thousands of books in a wide range of conditions. To make things clear and to help you know exactly what to expect, Please refer to these condition categories to understand the condition of the book you will receive.
Condition Description
New A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage.
As New The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years.
Fine The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked.
Near Fine The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition.
Very Good The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present.
Good A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy.
Fair A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity.
Poor A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance.

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