William Morris to Whistler, Walter Crane — 1st Edition, Limited
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Publication: London, G. Bell & Sons Ltd., 1911
Formatting: 8vo, pp. x, 277.
Condition Report: Near Fine. The publisher's blue cloth binding remains exceptionally sharp and tight, displaying virtually no shelf-wear to the extremities. The striking gilt tooling and lettering by Walter Crane to the front, spine, and rear board are remarkably bright and entirely unoxidised, presenting flawlessly against the deep blue background. The top edge is elegantly gilt, while the untrimmed fore and lower edges show only the faintest signs of handling. Internally, the hinges are perfectly secure, and the pages are exceptionally clean, crisp, and bright throughout, free from any foxing or major blemishes, complemented by pristine pictorial endpapers. This is a wonderfully preserved, superior example of the limited Large Paper Edition.
Catalogue Note: This is the scarce Large Paper Edition of William Morris to Whistler, printed by the renowned Chiswick Press and strictly limited to 350 copies. This deluxe issue is distinguished by its full blue cloth binding with elaborate, unoxidised gilt stamping to both boards and the spine, a significant elevation from the standard trade edition's white tooling. It features an impressive array of illustrations derived from Walter Crane's own drawings, alongside other historical sources, beautifully framed by ornamental woodcut borders.
The volume boasts a charming provenance, bearing the pictorial bookplate of Lucy Musker on the front pastedown. The bookplate incorporates the motto 'Quand Même' above an Arts and Crafts-style woodcut of a woman reading, perfectly echoing the aesthetic principles championed within the text. Additionally, the pristine endpapers feature a green and white floral motif incorporating the 'WM' (William Morris) monogram.
Due to the small limitation of 350 copies, this Large Paper Edition is highly sought-after on the open market, particularly when found in such an unblemished, bright state, having avoided the fading or browning to the spine cloth that typically plagues this title.
A captivating exploration of the Arts and Crafts movement by one of its most prominent figures, Walter Crane's William Morris to Whistler offers a vital, first-hand perspective on the artistic revolutions of the nineteenth century. Through a series of passionately argued papers and addresses, Crane examines the profound influence of William Morris's socialist ideals and decorative revival, whilst also casting a critical eye towards the aestheticism of James McNeill Whistler. Richly illustrated and thoughtfully articulated, it remains an essential text for understanding the intersection of art, craft, and society in late-Victorian and Edwardian Britain.
Book Condition: Near Fine
Book Authors: Walter Crane
Book Publisher: G. Bell & Sons Ltd.
Book Language: English
Narrative Type: Non-Fiction
Genre: Art & Architecture
Book edition: First Edition
Signed: No
Book Pages: 287
Book Publication Year: 1911
Book Publication Date:
Book Binding: Hardcover
Illustrator: Walter Crane
Book Series: N/A
Country/region of manufacture: London, United Kingdom
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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