Ziegfeld and His Follies, Cynthia Brideson and Sara Brideson — 1st Edition
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Publication: Lexington, University Press of Kentucky, 2015
Formatting: 8vo, pp. 576.
Condition Report: Near Fine. The grey cloth binding remains exceptionally tight and square, displaying sharp corners and no discernible shelf-wear to the board edges. The gilt lettering to the spine is vividly bright and entirely unoxidised, demonstrating the book has been carefully stored away from direct sunlight. The text block is crisp and well-aligned, internally free from any foxing, creasing, or tearing, though a microscopic speck is present on the fore-edge. The accompanying dust jacket is equally impressive, unclipped and retaining its glossy finish without any notable chipping, scuffing, or edge-creasing.
Catalogue Note: This is a First Edition of the Brideson sisters' definitive biography, published under the University Press of Kentucky's respected 'Screen Classics' series.
Richly illustrated with 76 black-and-white archival photographs, the work provides an extensive visual and textual history of early twentieth-century American theatre.
Given its status as a relatively modern academic publication, the title is not particularly scarce on the open market, but copies in such clean, well-preserved condition, free from institutional library stamping or heavy reading wear, are highly desirable for theatre historians and collectors alike.
Florenz Ziegfeld Jr. was the undisputed king of Broadway in the early twentieth century, best known for his spectacular, extravagant revues that glorified the American girl. In this meticulous biography, sisters Cynthia and Sara Brideson peel back the curtain on the legendary impresario, exploring the complex man behind the glittering myth. From his early days managing strongman Eugen Sandow to his complicated personal and professional relationships with superstars like Anna Held, Billie Burke, and Marilyn Miller, Ziegfeld and His Follies offers a deeply researched, captivating look at the triumphs, scandals, and enduring cultural legacy of American theatre’s greatest showman.
Book Condition: Near Fine
Book Authors: Cynthia Brideson and Sara Brideson
Book Publisher: University Press of Kentucky
Book Language: English
Narrative Type: Non-Fiction
Genre: Autobiography, Biography & Memoirs
Book edition: First Edition
Signed: No
Book Pages: 576
Book Publication Year: 2015
Book Publication Date:
Book Binding: Hardcover
Illustrator: N/A
Book Series: Screen Classics
Country/region of manufacture: Lexington, United States
Book Dimensions:
Book Condition Guide
| Condition | Description |
|---|---|
| New | A brand-new, unread and professionally handled book. Carefully preserved from publication to purchase, these books are offered in the best attainable condition. This grade applies to recently published titles that have not entered long-term storage. |
| As New | The book is in pristine, original condition as if just published. No signs of use or handling. The dust jacket (if present) is equally flawless. This grade applies to any book that has remained untouched in storage for years. |
| Fine | The book is close to As New. It remains bright and attractive, but could show minor imperfections to the boards and/or dust jacket (if present). Its pages are typically clean and unmarked. |
| Near Fine | The book has a number of small flaws, i.e. slight rubbing to the edges, or tiny chips or creases to the dust jacket (if present). Its pages may have faint marks, or creases that are barely perceptible — nothing that detracts from their overall condition. |
| Very Good | The book maintains its structural integrity, and has no major flaws such as tears to its binding or pages. It may, however, show signs of careful use, handling, or storage — small marks and creases, light foxing. Its dust jacket (if present) remains fully intact, but small tears may be present. |
| Good | A book that remains intact and readable with complete text pages, but shows moderate signs of wear and use to both the book and dust jacket (if present). It may have noticeable creases, nicks, or stains, and the spine likely shows fading, bumping, and rubbing. There could be writing, underlining, and other marks on some pages, though the majority will be clean and tidy. |
| Fair | A book with significant wear or damage. The text pages will be complete, but there may be heavy underlining, highlighting and staining throughout, and the book’s endpapers, half-title, and copyright pages could be damaged or missing. The binding could be loose, and the dust jacket (if present) may have notable scuffs or tears. These copies are usually of interest for content, signature(s) or scarcity. |
| Poor | A heavily worn book whose value lies in its complete and legible text. A poor book will have substantial defects — loose joints or hinges, detached covers, loose and/or missing pages, and could be heavily soiled. A poor book is also known as a reading copy, and although compromised, can hold historical or bibliographic significance. |
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